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  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

    Seating is limited.

    Maps & Parking Information

  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • Rear Window

    Kristin Moore
    Thesis Exhibition
    Feb 16th-19th, 2016

    Reception:

    Thursday, Feb 18th, 6-9PM

    Bolsky Gallery
    Otis College of Art and Design
    9045 Lincoln Blvd. 
    Los Angeles, CA 90045 
    310.846.2614


    Gallery Hours: Tues-Fri 10am-5pm, Sat-Sun 12pm-4pm

     

  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

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Paper Media

EPSON PAPERS

EPSON Premium Semimatte Photo Paper

- 10-mil thickness, 260 gram resin-coated photo paper

EPSON Premium luster Photo paper

- 10-mil thickness, 250 gram Luster E surface finsh

EPSON Premium Archival Matte Paper

- 9.5-mil thickness, 230 g, heavy weight, neutral white matte paper

Sticker Paper [Water-Resistant Self Adhesive Polypropylene w/ PrLume]

- 6-mil adhesive-backed film

Matte Canvas [Universal Photo Canvas Matte w/ PreLume]

- Perfect for artist reproductions, portraiture, wall murals, and photo reproductions

Clear Transparency [Clear Polyester w/ Edge Strips]

- Clear version of the ink-jet coated Melinex film

HP PAPERS

Matte [HP Heavyweight Coated Paper]

- Good for low-cost, long-term applications such as signs and posters.

Semi-Gloss [HP Photo Imaging Semi-Gloss]

- Low-cost, semi-gloss photo paper with indoor & outdoor durability for use with HP & non-HP printers.

Backlit Film [ HP Colorlucnt Backlit]

- Creates long-lasting Duratrans®-like images

Vellum [HP Vellum Paper]

- 100 % cotton fiber. It offers crisp line drawings, sharp text and uniform solid areas

USING YOUR OWN MEDIA

If you would like to print on your own paper you may do so by special request only. You will need to bring your paper in its original packaging to determine if it is safe to use in our printers.

FAQ

Question: What is PreLume?

Answer: PreLume technology visually enhances graphic output by providing a white point that is brighter, whiter and lasts considerably longer than substrates whitened with typical optical brighteners (OBs). Optical brighteners will turn yellow when exposed to UV light or moisture.

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