Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

KCET

'Artbound': Alumna Camille Rose Garcia’s Psychedelic World

Reprinted from KCET Artbound, March 13, 2017 

"Three women — a wizened witch, a sleek, pipe-smoking femme fatale and a bare-chested school girl sporting a mini-skirt and a sword — shimmy up the hairy shank of a monstrous wolf. It’s not just the beast that’s foreboding; part of his massive torso has been replaced by a melty mountain range with a gaping chasm at its center.  

Alumna Paige Tighe Featured in KCET Artbound

The Transgressive Act of Holding Hands on the River

By Carren Jao 
 
Over the past few months, the Los Angeles River has been a political issue. It has been the center of debates about social equality, health, and fiscal feasibility. The Los Angeles River has been so buried in these laden terms that it's easy to forget this waterway is first and foremost a place where real people gather, where they seek shelter legally or illegally, where residents come to simply commune with others.
 

KCET Feature on Alumna Lili Bernard

Lili Bernard: Fighting Trauma With Art

By Liz Ohanesian
 

KCET Artbound Explores the Art Ecosystem Based on the Otis Report

Southern California's Interconnected Art Ecosystem

By Marissa Gluck
 

KCET Artbound Features Graduate Public Practice's Antelope Valley Art Outpost

Antelope Valley Art Outpost: Building Community in the High Desert

By Evan Senn
 

The Hollywood Reporter Premieres Exclusive Clip from "The State of Creativity"

KCET and Otis College of Art and Design Partner for 'Artbound' Episode (Exclusive Video)

By Mia Galuppo
The educational, independent television station KCETLink and the Otis College of Art and Design have come together to produce a multimedia special called State of Creativity that is meant to explore the creative capital of Southern California.
 

Otis Report on the Creative Economy Event 2015 - Orange County

Orange County Premiere Screening of 

The State of Creativity

A Look into the Otis Report on the Creative Economy

Otis Report on the Creative Economy Event 2015 - Los Angeles

 

Los Angeles Premiere Screening of 

The State of Creativity

A Look into the Otis Report on the Creative Economy

KCET Feature on Graduate Public Practice Alumni's Mobile Mural Lab

Art on the Run: Roberto Del Hoyo's Mobile Mural Lab

By Sonya Fe