Events
  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

  • Steven Ehrlich and Frederick Fisher will present their firms’ collaboration as EHRLICH | FISHER on Otis College’s new Goldsmith Campus Academic Building and Residence Hall. The campus-wide expansion and renovation project includes a new academic building, 300-seat Forum (the venue for this lecture), café and dining commons, Student Life Center, and residence hall.

     

  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.

  • Artist Polly Apfelbaum in conversation with Connie Butler, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

O-Tube

Judithe Hernandez

Norman ZammittNorman ZammittNorman Zammitt

 

As one of the pioneering artists in the vanguard of the Chicano Art and Los Angeles Mural Movement of the 1960's and 70's, ('74) Judithe Hernandez is regarded as one of the important visual artists of the period. During a time when Latinas were discouraged from seeking careers in the visual arts, she was one of a handful of women who shared equal footing with her male contemporaries and was the only female member of the seminal and influential artist collective "Los Four". The group also included the late well-known California painter, Carlos Almaraz, whom she met when they both attended graduate school at Otis Art Institute.

Her numerous works of public art and exhibitions have helped pave the way for the new generations of Latina artists that have followed. She has exhibited extensively in the United States, Europe, and Mexico, including the ground-breaking first exhibition of contemporary Chicano Art in Europe: Le démon des Anges. Her public works include the Los Angeles Bicentennial Mural (1981). Selected by competition from among the leading visual artists in Los Angeles, hers was the only mural commissioned by the Los Angeles Bicentennial Committee to officially commemorate the 200th anniversary of the city's founding in 1781. From its site within the El Pueblo State Historical Park on Spring Street, the 3-story mural, Recuredos de Ayer, Sueños de Mañana, overlooked the downtown area of Los Angeles for nearly 20 years. In contrast to her mural work, her studio work has always been pastel on paper. The lush color and haunting imagery of the work prompted one art critic to compare it to two legendary artists, saying it was a unique and beautiful "blend of Rivera and Rousseau".

Committed to the education of the next generation of Latinos, she spent 30 years teaching, lecturing, and in college administration at several major universities in California and Illinois, including: California State University of Long Beach where she was an Assistant Professor in the Chicano Studies Department; the University of California at Santa Barbara, Occidental College; the University of Illinois at Chicago; Triton College; Rush University; and the School of the Art Institute of Chicago.

Born and raised in East Los Angeles, she now resides with her husband, graphic designer Morton Neikrug, and their daughter Ariel in Chicago. She maintains a studio and is currently working on a new series drawings and pastels for exhibition.

http://jhnartestudio.com/default.aspx

 

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