Events
  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Welcome to the Haunted Boulevard. Join DJ Platinum (Grace Potter) and DJ Batsy (Jessi Hita) for a journey of the folklores, urban legends, and paranormal encounters from different cultures. 

     

    Listen online at KLMU.

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

  • Mexican artist Yoshua Okón’s videos blur the lines between documentary, reality, and fiction. He collaborates closely with his actors (often amateurs who are also the subjects of the work) to create sociological examinations that ask viewers to contemplate uncomfortable situations and circumstances.
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.

O-Tube

Amy McFarland

Amy McFarlandAmy McFarlandAmy McFarland

 

Amy McFarland (‘85, Communication Arts) is the senior designer and acting head of the graphic design department at the Los Angeles County Museum of Art.

As McFarland says in her profile from “Fifty People to Watch” [Graphic Design USA, 2002], “the graphic treatment of each exhibition needs to complement what's inside the gallery, not compete. I like to look at each project as if its subject matter had never been seen before by the public. Part of the design process for me is to pinpoint the essential emotions and thoughts prompted by the subject matter and reinterpret these through typography. My ultimate audience is the public, and I am always amazed that people do look at the graphic materials and do have reactions to them.”

McFarland has designed many books as well as graphics for more than 100 exhibitions, featuring such Jasper Johns, Gustav Klimt and Picasso. She received the George Wittenborn award for best art book of 2000 (Ghost in the Shell: Photography and the Human Soul, 1850-2000), and the American Federation of Arts best exhibition graphics award for “When Art Became Fashion: Kosode in Edo-Period Japan.”

 

Otis College Ranked 6th in Nation by The Economist