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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Ysamur Flores-Pena: 2004-05 Faculty Development Grant Report


Report: Discovering the Dominican Republic

The Dominican republic occupies two thirds of the island of La Hispaniola. The other one third of the island is Haiti. This past Summer, thanks to the Otis College of Art and Design Faculty Improvement Grant, I traveled to the Dominican Republic to research issues of African folk religions and issues of identity. Haiti and the Dominican Republic have a history of political and cultural tensions dating back to the nineteenth century. After its emancipation from France, Haiti invaded the Dominican Republic and stayed from 1849 to 1850. This invasion not only brought two countries with two distinct colonial histories to a violent encounter it also allowed for the free exchange of traditions and folk practices.

Dominican folk religious practice or Dominican Vudu is a direct result of the geographical and historical closeness. The pantheon and the practices are very similar to Haitian Vodou yet Dominicans have also added their own flavor to the practice. In this context Haiti is both the invader, source of cheap labor, the boggy man, and sacred land at once.

The following images can provide a glimpse of this fascinating country.

 Columbus Lighthouse

The controversial Colombus Lighthouse built to celebrate the 500th. Anniversary of the encounter and to serve as a mausoleum for Colombus' remains.

 Painted column

Representations of Africa are always associated with music and magic.

 Folk dolls

Dominican folk dolls which use Africa as the source of artistic inspiration and national identity.

 Market

A thriving market that offer the practitioners the hosts of heaven for sale.

 Columbus Monument

The Colombus Monument celebrates the Hispaniola as "The land that Colombus loved the most."

 Taino folk carvings

Taíno (Arawak) inspired folk carvings.

 Meninas

The Meninas, folk carvings that reflects the Dominican concept of being the product of two cultures: Spanish and Arawak. (Africa is not mentioned.)

 Folk healer

The folk practices remain very visible with folk healers offering their services.