Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Waste not, want more

Two years ago, Otis fashion design students Han-Na Aku Jun and Sanna Ho turned disposability, one of fashion’s fundamental truths, on its head.

A long-held industry belief was that if garments didn’t go out of style each season, designers would be out of work.

As part of Otis’ partnership with Hurley and Nike, these students used Nike’s Considered index to design a series of appealing high fashion garments designed to do the unthinkable—keep consumers from returning to the store.

Features such as reversible fabrics and ties instead of zippers give these garments an extendable life, making the outfits wearable day after day, season after season, and year after year. Detachable collars and cuffs minimize trips to the cleaners, and when a hood transforms into a dress, the garment can go from the hiking trail to the haute couture runway in a moment. And fashion isn’t the only aspect of the apparel that’s sustainable.

The resulting clothes are so reusable and trend-proof that some designers might consider the Considered index an act of self sabotage. But Otis’ Fashion Design Chair Rosemary Brantley calls it “the most inspiring project in all the years I have spent at Otis.”

At Otis, you’ll work with designers who view art as a world with no rules; who have the fearlessness and integrity to create fashion that’s visionary, even when what’s visionary isn’t fashionable—yet.

Learn more about Fashion Design at Otis

 

 

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