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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Tracy Colby: 2006-07 Faculty Development Grant Report


Excerpt:

I created a series 5 of large-scale paintings based on geologic structures.

The paintings were created in Adobe Photoshop. But unlike earlier series, the grant allowed me to print in very large scale (greater than 1m x 1m). The benefits to me are quite clear: The change in scale transforms the experience of the work, from intimate personal pieces to “grand” environments. In fact, I have begun to consider an additional life for these pieces as wall coverings that create reference to the natural world. I am also considering taking some of the images, and putting them into repeat for textiles, or referencing them for woven designs.

Two of the pieces quite clearly speak to me of motion. I plan to use them, or elements from them in animations.

The grant has given me a new view of my work and insights into further development. It has helped me to understand that, happily, I still have an essential “textile” sensibility while now working in motion.

--Tracy Colby
Digital Media

Read Full Report [PDF]