Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

O-Tube

social practice

Making a Statement at Miami Art Week

Art Basel in Miami Beach, and the adjoining fairs, parties, and shows that converge in Miami, offers an annual sampling of contemporary art and culture. Acting as a barometer of the art world, attendees were able to view well-established and emerging artists alike.

Art, Aesthetics, and Activism Collide in the Work of Faculty Andrea Bowers

Andrea Bowers is a political artist who makes artwork that is just as compelling aesthetically as it is conceptually. She says her work is “service to the cause of activism,” but at the same time she looks for “an aesthetic within the subject” to communicate her political message.

Otis College of Art and Design Honors Socially-Engaged Artists; Rick Lowe and Masami Teraoka to Receive Honorary Degrees

LOS ANGELES, CA - Otis College of Art and Design will award honorary doctorates to Rick Lowe, visionary social-practice artist, and Otis alumnus Masami Teraoka (’68 MFA), internationally recognized artist and human rights advocate, at the 2016 Commencement ceremony May 15, 2016. 

ArtNet Features New Work from Faculty Andrea Bowers

When activism finds its way into the art gallery, the house style is what Paige Sarlin calls "new left-wing melancholy," or what I think of as “post-radical chic:" neutralized and neutralizing, mining the paraphernalia of protest for historical pathos. This is not the way Andrea Bowers operates, as you can confirm for yourself if you visit the LA artist's show at Andrew Kreps Gallery in Chelsea, dubbed “Whose Feminism Is It Anyway?"
 

Graduate Open Studios

2016 Graduate Open Studios

MFA Fine Arts
MFA Public Practice 

 

Visit studios and meet MFA students in Fine Arts and Public Practice.

Public Practice Chair Suzanne Lacy Demystifies Social Practice Art for New York Times

Carmen Papalia’s M.F.A. project doesn’t look much like art. For “Blind Field Shuttle,” he led his classmates across the Portland State campus in Oregon on an eyes-closed walking tour, single file, each with a hand on the shoulder of the person in front.

For the first half of the 40-minute walk, some nervous participants had panic attacks, or cried. Mr. Papalia talked about what they were passing — a fire hydrant, a brick wall, a fence — and the vulnerability they were feeling.

Public Practice Chair Suzanne Lacy's Performance on Gender-Based Violence Featured by Huffington Post

In Ecuador, roughly one in six women have experienced physical, sexual or psychological violence. To put it another way, 3 million Ecuadorians have counted themselves a victim of gender-based violence in their lifetime. According to the same Pan American Health Organization research, 38 percent of women in Ecuador have been physically abused, 26 percent sexually abused, and 17 percent have been victims of patrimonial violence. These statistics, however bleak, are still merely numbers. Numbers that look eerily similar to statistics across the globe.

Public Practice Alumni's Michelada Think Tank is Featured by Hyperallergic

LOS ANGELES — It’s a familiar experience for anyone who has had to be the only person of color in a room: the uncomfortable silence around issues of race or the pressure to represent a monolithic identity that doesn’t exist. Over the summer, a group of artists invited the public to talk critically and humorously about race, art, and survival in a context where they could not only vent frustrations but also share resources and build community as people of color.

Public Practice faculty Patrisse Cullors talks about co-creating #BlackLivesMatter

Whether you first encountered #BlackLivesMatter recently on social media, heard the phrase from protestors on the streets, or listened to it coming out of the mouths of presidential hopefuls, the founders of the hashtag-turned-movement have been doing this for a long time.

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