Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

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Graduate Public Practice

Activate Your Creative Power

 Calling all Artists and Yogis! Adi Shakti Meditation and Gong Layout to access the Divine Feminine - no prior experience needed and enter at any time - FREE Kundalini Yoga and Meditation BEFORE the Panel on Subtle Activisim as part of my thesis exhibition.

Graduate Public Practice Exhibitions and Performances

Graduate Public Practice 
2016 MFA Degree Presentations

Henderson Blumer
Jeanette Degollado
Margarethe Drexel
Tonya Ingram
Jenny Kane
Shefali Mistry
Beth Ann Morrison
Catherine SCOTI Scott
 

EXHIBITIONS AND EVENTS:

 
Tuesday May 3, 7 – 9:00 p.m. 

Shefali Mistry leads Michelada Think Tank event on artists of color navigating higher education

ArtNet Features New Work from Faculty Andrea Bowers

When activism finds its way into the art gallery, the house style is what Paige Sarlin calls "new left-wing melancholy," or what I think of as “post-radical chic:" neutralized and neutralizing, mining the paraphernalia of protest for historical pathos. This is not the way Andrea Bowers operates, as you can confirm for yourself if you visit the LA artist's show at Andrew Kreps Gallery in Chelsea, dubbed “Whose Feminism Is It Anyway?"
 

Public Practice Chair Suzanne Lacy Demystifies Social Practice Art for New York Times

Carmen Papalia’s M.F.A. project doesn’t look much like art. For “Blind Field Shuttle,” he led his classmates across the Portland State campus in Oregon on an eyes-closed walking tour, single file, each with a hand on the shoulder of the person in front.

For the first half of the 40-minute walk, some nervous participants had panic attacks, or cried. Mr. Papalia talked about what they were passing — a fire hydrant, a brick wall, a fence — and the vulnerability they were feeling.

Alumnus Noe Gaytan and Faculty Andrea Bowers featured in Artbound's Art and Protest

Graduate Public Practice faculty member Andrea Bowers and alumnus Noe Gaytan ('15 MFA) are featured in the Artbound episode 'Art and Protest'. The episode, "explores art created amid social upheaval, including: the social practice of Andrea Bowers and Noe Gaytan, whose work engages with the struggle for wage equity and unionization".

Public Practice Chair Suzanne Lacy's Performance on Gender-Based Violence Featured by Huffington Post

In Ecuador, roughly one in six women have experienced physical, sexual or psychological violence. To put it another way, 3 million Ecuadorians have counted themselves a victim of gender-based violence in their lifetime. According to the same Pan American Health Organization research, 38 percent of women in Ecuador have been physically abused, 26 percent sexually abused, and 17 percent have been victims of patrimonial violence. These statistics, however bleak, are still merely numbers. Numbers that look eerily similar to statistics across the globe.

Public Practice Alumni's Michelada Think Tank is Featured by Hyperallergic

LOS ANGELES — It’s a familiar experience for anyone who has had to be the only person of color in a room: the uncomfortable silence around issues of race or the pressure to represent a monolithic identity that doesn’t exist. Over the summer, a group of artists invited the public to talk critically and humorously about race, art, and survival in a context where they could not only vent frustrations but also share resources and build community as people of color.

Public Practice faculty Patrisse Cullors talks about co-creating #BlackLivesMatter

Whether you first encountered #BlackLivesMatter recently on social media, heard the phrase from protestors on the streets, or listened to it coming out of the mouths of presidential hopefuls, the founders of the hashtag-turned-movement have been doing this for a long time.

Michelada Think Tank Starting Summer Residency at LACE

This summer Michelada Think Tank (MTT), a collective of MFA Public Practice students and alumni, will inhabit the Project Room at Los Angeles Contemporary Exhibitions with a humorous and critical exploration of survival under a framework of institutional racism in the arts. Through a series of weekly think tank sessions, MTT will bring people together to talk about survival strategies for artists of color working in a predominantly white art world.

Three Public Practice Alumni Named 2015 Creative Community Fellows

Public Practice alumni Carol Zou, Mario Mesquita, and Nathalie Sanchez have been named Creative Community Fellows. Awarded by National Arts Strategies, the Creative Community Fellows program provides leaders at the intersection of culture and community with tools, training, and access to a community of support. This combination fuels their visions for community change, sparking new ideas and helping propel them into action. 
 

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