Events
  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.
     

  • Connie Butler, Chief Curator at the Hammer Museum

     

    Artist Polly Apfelbaum in conversation with Connie Butler, on Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • You are invited to hear acclaimed artist Mel Chin discuss his work and recent project The TIE that BINDS: MIRROR of the FUTURE.

    Sunday, September 25, 6:00-9:00pm

    RSVP HERE for Tickets

  • Guthrie Lonergan was born in 1984 in Los Angeles. He received a Bachelor of Arts from the University of California, Los Angeles in 2006.

  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

O-Tube

LAEDC

Findings of the Otis Report on the Creative Economy of California Unveiled

The hearing coincided with the release of the “2015 Otis Report on the Creative Economy of California,” an annual report by the Otis College of Art and Design, which for the first time contained a regional analysis of creative industries within eight geographic areas of the state.

Creative Workforce Contributes $217 Billion and Rising to California’s Gross Product; Success Linked to Job Opportunity Finds Otis Report on the Creative Economy

SACRAMENTO, CA – May 11th, 2016 - The results of the 2015 Otis Report on the Creative Economy of California (Otis Report) were unveiled today in a state Capitol hearing before the Legislative Joint Committee on the Arts in Sacramento, chaired by Senator Ben Allen. The Otis Report has become a powerful advocacy tool and catalyst for change by clearly articulating the economic benefits of the creative industries and quantifying their financial impact in the economy.

Otis Report on the Creative Economy Event 2015 - Orange County

Orange County Premiere Screening of 

The State of Creativity

A Look into the Otis Report on the Creative Economy

Otis Report on the Creative Economy Event 2015 - Los Angeles

 

Los Angeles Premiere Screening of 

The State of Creativity

A Look into the Otis Report on the Creative Economy

2014 Creative Economy Event

Otis' Report on the Creative Economy was released on February 6. This year's Report extended to the entire state of California. Robert Kleinhenz, LAEDC chief economist presented the data. Since its inception in 2007, the Report has been an invaluable tool to assess the tremendous impact and influence of the area’s creative sector on the economy.