Events
  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.
     

  • Connie Butler, Chief Curator at the Hammer Museum

     

    Artist Polly Apfelbaum in conversation with Connie Butler, on Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • You are invited to hear acclaimed artist Mel Chin discuss his work and recent project The TIE that BINDS: MIRROR of the FUTURE.

    Sunday, September 25, 6:00-9:00pm

    RSVP HERE for Tickets

  • Guthrie Lonergan was born in 1984 in Los Angeles. He received a Bachelor of Arts from the University of California, Los Angeles in 2006.

  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

O-Tube

illustration

ASHKAHN Studio + Company

Ashkahn Shahparnia (’06 Fine Arts) 
ASHKAHN Studio + Company
 
My company, ASHKAHN, specializes in art direction, design, illustration and products like greeting cards, prints, accessories and t-shirts.
 
Starting up
There was no way in hell that I wanted a 9-5 job working for someone else. I had a ton of ideas and needed the time to develop them and share it with the world.
 

JT Steiny

JT STEINY

Senior Lecturer, Communication Arts: Illustration

 

JT Steiny (’86) contributes illustrations to the Los Angeles Times, USA Today, Smart Money, Sony Records, Rhino Records, and LA Weekly. Everywhere he goes, he draws. An entire series he titles “Drawing While Driving.” In this series, he captures the challenges of dog walking in a car-oriented city.

Artist Robert Williams lecture

Communication Arts/Illustration presents a lecture by legendary artist Robert WIlliams.

Comm-Arts-Illustration Faculty Pecha Kucha

COM ARTS 

Illustration department invites you to 

Pecha Kucha

Presenters:

 

Lorenzo Hurtado

Robert Dobbie

Lalo Alcaraz

Nancy Jo Haselbacher

Tucker Neel

Kim De Marco

Eric Rodriguez ('12)

What was your most fun/influential class?
“Illustrated Book” really made me focus on why I liked certain ideas, and why I made certain choices. It taught me to get to the heart of a project and be consistent with that concept. I definitely did some of my most unhindered and honest work.

What is your hometown? I grew up in Visalia, California.

What originally attracted you to Otis?
I expected to be held to a very high standard, and knew that demanding a lot from myself was the best way for me to progress.

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