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Events
  • Rodney McMillian (born in Columbia, South Carolina) is an artist based in Los Angeles.
  • Michael Joyce

    Sep 17| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Twentieth-Century Man by Michael Joyce. Starting with a disappearance, Twentieth-Century Man contemplates issues imbedded in aging, memory, language, family, and even life and death, covering and uncovering many profound mysteries.

  • Alice Konitz

    Sep 18| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Alice Konitz.

    Thursday, September 18th 11:115am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

    Image from alicekonitz.com

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

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Fine Arts Courses

Studio Electives

 

Students may select from a wide range of studio elective courses.  Electives change each semester to reflect development in the field and student interests. Core courses, outside of the student's area of concentration, may also be taken for elective credit.

 

Introduction to Experimental Drawing

DRWG204   3 credits

Professional Practices

Practical and hands-on course addresses professional practices in Fine Arts through a series of workshops and seminars. Topics include: building presentation spaces; installing and lighting art; documenting artwork; graduate school applications; grant writing; business practices; gallery representation; alternative spaces and practices; professional development beyond art school; artist residencies; and various career opportunities for artists.

Offered spring semester only

Senior Studio I/II

 

Senior Studio I
FINA470   5 credits

Each student is given their own studio and works with a group of faculty mentors to develop a body of work. Critiques, individual meetings with mentors, visiting artists and critics, and group exhibitions expand students’ knowledge base while focusing their practice.

Attending the Visiting Artist Lecture Series is required.

Offered fall semester only

 

Senior Studio II
FINA471   5 credits

Studio Electives

 

Students may select from a wide range of studio elective courses.  Electives change each semester to reflect development in the field and student interests. Core courses, outside of the student's area of concentration, may also be taken for elective credit.

 

Introduction to Experimental Drawing

DRWG204   3 credits

Studio IV

Production-oriented advanced studio course emphasizes concepts, processes, and visual strategies toward the development of an individual studio practice across the three main disciplines. Critiques, seminars, and individual meetings provide insight into contemporary discourses and practices while helping students find the working methods that best suit them.

Attending the Visiting Artist Lecture Series is required

Offered spring semester only

Sculpture/New Genres III

Opportunity to work on large-scale, long-term projects in sculpture and/or new genres, working in-depth in a chosen material or skill: for instance, complicated casting technologies, welding, woodworking, video or installation. Addresses artwork that is ambitious, experimental, political, and work that pushes both formal and conceptual boundaries.

Offered in fall semester only

Studio Electives

 

Students may select from a wide range of studio elective courses.  Electives change each semester to reflect development in the field and student interests. Core courses, outside of the student's area of concentration, may also be taken for elective credit.

 

Introduction to Experimental Drawing

DRWG204   3 credits

Art and Technology Practices

Introductory course in new media –providing the technical fundamentals that enable students to begin integrating digital methods in their respective practices. Particular attention is placed on balancing technical skills with creative content and experimental approaches. Core software is Adobe Photoshop, Adobe Illustrator, and Final Cut Pro.

Sophomore Core Requirement

Sculpture/New Genres I/II

 

Sculpture/New Genres I
SCNG204   3 credits

Introduction to the history and practice of sculpture and new-genres (new art forms that use time and space). In addition to basic aesthetic, structural and conceptual practices, technical instruction covers use of wood and metal shops, adhesives, joinery, mold making and casting, as well as the new-genres forms of performance and installation art.

Offered in fall semester only

 

Photography I

Introduction to the technical, aesthetic and conceptual aspects of the medium of photography. Basic skills including camera operation, black-and-white film processing, color and black-and-white printing, as well as basic presentation techniques, are covered in regular lab sessions. Group critiques, slide lectures, and field trips help students to develop a critical vocabulary.

Offered fall semester only

Lab Fee: $30

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