Events
  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Welcome to the Haunted Boulevard. Join DJ Platinum (Grace Potter) and DJ Batsy (Jessi Hita) for a journey of the folklores, urban legends, and paranormal encounters from different cultures. 

     

    Listen online at KLMU.

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

  • Mexican artist Yoshua Okón’s videos blur the lines between documentary, reality, and fiction. He collaborates closely with his actors (often amateurs who are also the subjects of the work) to create sociological examinations that ask viewers to contemplate uncomfortable situations and circumstances.
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.

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Acoustic Event Opens 'Anna Craycroft: Tuning the Room' This Weekend

To prepare for her upcoming exhibition Tuning the Room, New York-based artist Anna Craycroft enlisted musician Gregory Lenczycki and sound engineer Ken Goerres to literally tune the room before installation began. In acoustical engineering, “tuning the room” is a technique for measuring the specific sound properties of an enclosed space and then adapting the environment to improve its acoustic reflections.

'Los Angeles Times': Polly Apfelbaum's fallen paintings and beads of devotion...

Reprinted from the Los Angeles Times, October 15, 2016

"A secular chapel might seem an impossible contradiction in terms — an unsustainable union of worldliness and divinity. The mystery of mortality doesn’t merge easily with the empirical here-and-now.

Polly Apfelbaum Unveils ‘Rug-Filled Gallery’ in First Institutional Show in Los Angeles at The Ben Maltz Gallery

LOS ANGELES –The Ben Maltz Gallery at Otis College of Art and Design is pleased to present the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes, on view September 24 – December 4, 2016, the artist’s first solo institutional show in Los Angeles. A public opening reception takes place Saturday, September 24, 4-6pm.

'Grid' Featured in Frieze Magazine's Critic's Guide for Los Angeles

Curator Kate McNamara’s inaugural exhibition at Otis College’s Ben Maltz Gallery references the modernist interest in the grid as a map of time, movement and sound. It also showcases a number of contemporary artists who utilize it as a performative strategy.

Performing the Grid Featured in ARTFORUM

There’s nothing more satisfying than a grid, at least for those daunted by the blank page of unfettered creative freedom. But perhaps the latter is an illusion, and no attempt at creativity exists without constraint.

The sixteen artists in “Performing the Grid,” for instance, take full pleasure in being line-bound.

Performing the Grid Exhibition Featured in Argonaut

From Renaissance masterpieces to contemporary minimalist designs, the grid has been a tool artists use to organize space, time, composition and performance.

But what does it mean to perform on parallel, perpendicular and intersecting lines?

The Otis College of Art and Design exhibit “Performing the Grid” explores how various artists — conceptual artist Bruce Nauman for one, choreographer Lucinda Childs for another — have used this compositional tool to inform their creative practices.

Los Angeles Times Features 'Ralph Bacerra: Exquisite Beauty'

Somewhere ceramist Ralph Bacerra is smiling, says Jo Lauria, curator of "Ralph Bacerra: Exquisite Beauty" at the Ben Maltz Gallery at Otis College of Art and Design in L.A.

Otis College of Art and Design’s Ben Maltz Gallery presents Ralph Bacerra: Exquisite Beauty

LOS ANGELES, CA – September, 2015 – The Ben Maltz Gallery at Otis College of Art and Design is pleased to present Ralph Bacerra: Exquisite Beauty, the first retrospective to document the eye-dazzling ceramics created by Ralph Bacerra (1938–2008), a Los Angeles–based artist known for his innovative approach to surface embellishment.

Investigating Community Based Art Practices in Latin America and Los Angeles

The Ben Maltz Gallery at Otis College of Art and Design is proud to announce Talking to Action, a research project, upcoming symposium, and exhibition as part of the Getty's Pacific Standard Time: LA/LA initiative. Phase one of Talking to Action is a two-year collaborative research platform (2014-2016), supported by a grant from the Getty Foundation, that investigates contemporary community-based art practices in various sites in Latin America and Los Angeles.

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