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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

O-Tube

Susan Barnet: 2005-06 Faculty Development Grant Report


Report:

Mario's Furniture, a collaboration by S.E. Barnet and Hillary Mushkin with programmer Clay Chaplin and electronics specialist Lorin Parker

Thanks to the support of Otis, the Mushkin-Barnet project Mario's Furniture will be exhibited at Telic Arts Exchange on Chung King Road in Los Angeles from October 28 through Dec 2, 2006. The project could not have been realized without the funding that allowed us to complete the crucial technical aspects of wireless interactivity and vision recognition programming.

At summer’s end 2005 we were invited to turn the Bolsky Gallery in the Galef Fine Arts building into an arts laboratory. The Bolsky became a workspace for developing our interactive project. We began to work on the video recognition programming as well as test out sensors for the wireless technology. Being within the Otis community allowed constant access to an eager and interested audience, an essential part of our trials.

In the fall of 2005 Mario’s Furniture was in residence at The Armory Center for the Arts in Pasadena. At this point the game was far enough along, thanks to our stay at the Bolsky, to be able to invite curators to take a look at the work. After their initial visit, Telic Arts Exchange invited us to exhibit Mario’s Furniture at their space. (see Press Release [PDF])

One of the best aspects of the exhibition of Mario’s Furniture at Telic is the additional events schedule. The gallery curators have asked us to host events throughout the duration of the exhibition that will afford us an opportunity to contextualize the project through guest speakers, screenings, and the presentation of other artwork.

Finally, in the coming months UK publishers Intellect Books’ new volume on video games and art will be available. This work includes Art theorist/critic M.A. Greenstein’s essay on Mario’s Furniture.

--Susan Barnet
Fine Arts

Images of Mario's Furniture in the Bolsky Gallery, 2005:

 Mario's Furniture 01

 

 Mario's Furniture 03

 

 Mario's Furniture 05

 

 Mario's Furniture 07

 

 Mario's Furniture 09

 Mario's Furniture 02

 

 Mario's Furniture 04

 

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 Mario's Furniture 10