Events
  • Sitting in Sound

    Jul 15| Special Event
    More

    Image: Electronic Sound Bath
     

  • L: Nora Jane Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception: I Wish I Was a Telephone: Nora Jane Slade and Marisa Takal

    Celebrate the opening of the two-person exhibition of work by Los Angeles-based artists Nora Jane Slade and Marisa Takal.

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Talking to Action

    Sep 17| Exhibition
    More

    Image: Eduardo Molinari, Confluencia 2: Los Angeles River, 2016.

    Talking to Action: Art, Pedagogy, and Activism in the Americas is an exhibition and bilingual publication that investigates contemporary, community-based social art practices in the Americas. Talking to Action is part of the Getty’s initiative Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles.
     

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

O-Tube

Annetta Kapon ‘85 Fine Arts, Moscow

Dec 16, 2013
Spotlight Category: Alumni
Graduate Fine Arts Assistant Chair and Professor Annetta Kapon spent several days at Moscow’s National Center for Contemporary Art for the exhibition and conference “In Transition Russia,” in 2008.
 
We had a lovely Soviet-type apartment with two bedrooms, kitchen, living room, and bath, but the toilet was outside the apartment. During the day we spent some time in Red Square, the Kremlin, and Lenin’s mausoleum, and had tea in GUM, the famous shopping mall.Our flight from Moscow to Ekaterinburg was four hours late, so when we arrived we were taken directly to the Ural Gorky University where we gave talks about our work to the students of visual studies. The conversation afterwards was more about how things are in the U.S. than about our work. All of this was done though an interpreter, who was one of the students.
 
At the conference, “In Transition: Cultural Identities in the Age of Transnational and Transcultural Flux,” I presented my work, and other presentations focused on issues such as a critique of multiculturalism as official ideology, the new post-Soviet citizen identity, and gender citizenship. For me the highlight was going to lunch in the student cafeteria with the graduate women students from the Germanic Languages department, who had simultaneously translated the conference talks. I wanted to find out about what it’s like to grow up in a post-Soviet era, where/ how they live, etc.
 
Between 1924 and 1991, Ekaterinburg was known as Sverdlovsk, after the Bolshevik leader Yakov Sverdlov. We stayed in the very nice Central Hotel for four nights. My most vivid memory will be of the suffocating heat in the room. Every indoor space in Russia, including the university, is heated to 80 degrees. Outside: 20-30 degrees. On our last day in Ekaterinburg, we were taken on a tour of the city’s major monuments: the War Memorial, popularly known as the Black Tulip, and the famous “Church on the Blood,” on the site where the last Tsar, Nicholas Romanov, was executed by the Bolsheviks in 1918. Tsar Nicholas has now been canonized by the Orthodox Church, and is the object of renewed popular nostalgia and affection. 
Otis College Ranked 6th in Nation by The Economist