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Events
  • Lucy Orta (b. Sutton Coldfield, UK, 1966) and Jorge Orta (b. Rosario, Argentina, 1953) founded Studio Orta in 1991. Lucy + Jorge Orta’s collaborative practice focuses on the social and ecological factors of environmental sustainability to realise major bodies of work employing drawing, sculpture, installation, object making, couture, painting and silkscreen printing, as well staging workshops, ephemeral interventions and performances.

  • Otis Community Banquet

    Oct 22| Special Event
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    In conjunction with the exhibition Food - Water - Life / Lucy + Jorge Orta
    Wednesday, October 22 | Bobrow Green
    11:30am – 12:30pm: Banquet for participating classes
    12:30 – 1:15pm: Open to Otis Community to view class projects created for Banquet, and sample soup and fruit-infused water

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artists Lucy + Jorge Orta.

    Thursday, October 23rd, 10am

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • Artists Lucy + Jorge Orta in conversation with the curators Ginger Gregg Duggan and Judith Hoos Fox of the traveling exhibition Food - Water - Life / Lucy + Jorge Orta. The conversation is followed by a reception. Food - Water - Life / Lucy + Jorge Orta is on view in the Ben Maltz Gallery through December 6, 2014.

  • JP Munro

    Oct 28| Lectures
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    Born 1975, Inglewood, CA. Lives and works in Los Angeles, CA.

    chinaartobjects.com/artists/jp-munro/

  • Minor Declaration

    Oct 29| Student Event
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    Highly Recommended for Sophomores

  • Rob Spillman

    Oct 29| Lectures
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    Rob Spillman is Editor and co-founder of Tin House, which has been honored in Best American Stories, Best American Essays, Best American Poetry, O’Henry Prize Stories, the Pushcart Prize Anthology and numerous other anthologies. He is also Executive Editor of Tin House Books and co-founder of the Tin House Literary Festival. His writing has appeared in BookForum, the Boston Review, Connoisseur, Details, GQ, Nerve, the New York Times Book Review, Rolling Stone, Salon, Spin, Sports Illustrated, Time, Vanity Fair, Vogue, and elsewhere.

O-Tube

Academic Excellence:Miles Gracey

Most Influential Faculty Members?
You cannot run around Otis with scissors in your hands without accidentally bumping into a teacher that will change your life. They are abundant.

 

Hometown?
Cambria, California

 

Why Otis?
It’s really serendipitous. I originally attended Otis for its Graphic Design program.I had a few really influential teachers who led me to seek out something a bit more challenging; the rest is history.

 

Your thesis project?
I built a wall.

 

Interesting things that you did outside of school?
Outside of school?

 

Most influential class?
Any class that made me question everything I had already learned up to that point. Otis was a pattern of education followed by de-education, the exact antithesis of what came before. It’s an important value to have throughout life, learning to listen while simultaneously ignoring everything.

 

Favorite place in L.A.?
I seek out the places in which L.A. shows its seams: places where you get a sense that it is all just make-up on a desert: the back of the Hollywood sign, infamous sites where celebrities have died, the river. These are truly beautiful places.

 

Impact on your work/life?
I have realized that I am not me but rather a consequence of my last meal (which happened to be a Big Mac and fries). I go through life consuming the world around me. At some point I must have ingested someone with dark brown hair,
possibly tall, but not too. So exactly who was I before I ate myself? Was I horny? And moreover, how piquant would he or she have been fricasseed?

 

What’s next?
Anything and everything. I think that is the real beauty of an art education, because you are never acutely trained to do one thing. There will never be precisely one thing to do. It is never a good career move to go to art school, but it can allow you to never really have a career. I hope never to work a single day as an artist. I think that is where the true cultural significance of the artist emanates from.

 

Something unusual/idiosyncratic?
I eat people. I am a cannibal.

 

Information/tips for future students?
Don’t worry, about a thing, ’cause every little thing, is going to be all right...