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  • Silke Otto-Knapp is a painter and associate professor of painting and drawing at UCLA. 
     
    She has had recent one-person exhibitions at Overduin and Kite, Los Angeles; Galerie Buchholz, Berlin; the Berkeley Art Museum/Pacific Film Archive; Greengrassi, London; Sadler’s Wells Theatre, London; Kunstverein Munich, Germany; Gavin Brown’s Enterprise, New York; the Banff Centre, Canada; Modern Art Oxford, UK; and Tate Britain, London.
     
  • Sergej Jensen

    Mar 31| Lectures
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    Sergej Jensen’s work draws on a wide range of materials and formal references. Primarily known for his textile works, his lyrical compositions incorporate a variety of fabrics, from burlap and linen to silk and wool.
     
    He recently exhibited his work in the show "Classic" at Regen Projects, and his work is also included in LACMA's show "Variations: Conversations in and around Abstract Painting.”
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  • Otis College of Art and Design Fine Arts Department presents the film collaborative from Berlin OJOBOCA.

     

    Thursday April 2nd, 2015
    7pm in Ahmanson Hall, lower-level screening room.
    9045 Lincoln Blvd, Los Angeles, CA 90045

     

  • Chen Tamir is a distinguished Israeli curator and art writer based in Tel Aviv, where she works at the Center for Contemporary Art. She was listed by Artslant as one of 15 curators to watch in 2015. Until recently she was based in New York working as an independent curator and also as Executive Director of Flux Factory, a non-profit arts center in Queens, NY, where she founded an acclaimed residency program and set up a thriving institution. Chen holds an M.A. from Bard College's Center for Curatorial Studies, a B.A. in Anthropology, and a B.F.A. in Visual Art from York University.

  • Rea Tajiri

    Apr 07| Lectures
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    Rea Tajiri is a New York based filmmaker and educator who has written and directed an eclectic body of dramatic, experimental, and documentary films currently in commercial and educational distribution. She is also an Associate Professor at Temple University in the Film Media Arts Department.
     
    Learn more about the artist here.
     
  • Dusk to Dusk

    Apr 11| Exhibition
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    James Aldridge, The Gathering, 2010, Acrylic on canvas


    Dusk to Dusk: Unsettled, Unraveled, Unreal

    April 11 - July 26, 2015  |  Gallery Hours: Tue-Fri 10-5 / Thu 10-7 / Sat-Sun 12-4

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Academic Excellence:Miles Gracey

Most Influential Faculty Members?
You cannot run around Otis with scissors in your hands without accidentally bumping into a teacher that will change your life. They are abundant.

 

Hometown?
Cambria, California

 

Why Otis?
It’s really serendipitous. I originally attended Otis for its Graphic Design program.I had a few really influential teachers who led me to seek out something a bit more challenging; the rest is history.

 

Your thesis project?
I built a wall.

 

Interesting things that you did outside of school?
Outside of school?

 

Most influential class?
Any class that made me question everything I had already learned up to that point. Otis was a pattern of education followed by de-education, the exact antithesis of what came before. It’s an important value to have throughout life, learning to listen while simultaneously ignoring everything.

 

Favorite place in L.A.?
I seek out the places in which L.A. shows its seams: places where you get a sense that it is all just make-up on a desert: the back of the Hollywood sign, infamous sites where celebrities have died, the river. These are truly beautiful places.

 

Impact on your work/life?
I have realized that I am not me but rather a consequence of my last meal (which happened to be a Big Mac and fries). I go through life consuming the world around me. At some point I must have ingested someone with dark brown hair,
possibly tall, but not too. So exactly who was I before I ate myself? Was I horny? And moreover, how piquant would he or she have been fricasseed?

 

What’s next?
Anything and everything. I think that is the real beauty of an art education, because you are never acutely trained to do one thing. There will never be precisely one thing to do. It is never a good career move to go to art school, but it can allow you to never really have a career. I hope never to work a single day as an artist. I think that is where the true cultural significance of the artist emanates from.

 

Something unusual/idiosyncratic?
I eat people. I am a cannibal.

 

Information/tips for future students?
Don’t worry, about a thing, ’cause every little thing, is going to be all right...