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Events
  • Otis welcomes the Japan Foundation and honored guests Kashiwagi Hiroshi and Yoshifumi Nakamura for a lecture on contemporary Japanese design. 
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

O-Tube

Wood For Good

Ryan Robinson ('11) |

"I love computer modeling, but nothing helps you understand a form better than actually making something that you can hold in your hands."  —Ryan Robinson (’11)

When Robinson heard about the hundreds of 300-year-old oaks and sycamores that were felled in Arcadia, California, he decided to do something to save them save them from becoming mulch. He created a plan to use this wood from trees on government land that are cut down for development by allowing artists and designers to transform the valuable hardwood into furniture and other useful objects. “What I set out to do was create an outline for how this system could work, and to create an example of what can become of the beautiful materials. That’s where my furniture comes to play.” 

 “I focus on human-centered design problems, but physical making is a huge part of my process. My design for a prosthetic leg for underserved economies uses found materials. Because users assemble it themselves and maintain it throughout their lifetime, they aren’t just receiving a new leg, they’re receiving the tools to be self-sufficient.”