Events
  • Tim Davis's wry photographs find the sublime in the quotidian. Whether shooting an abandoned pair of sneakers, the streets of a nameless suburb, or the corner of a framed painting in a museum, Davis captures the peripheral, everyday beauty of our daily life.

  • Career Services is hosting Under Armour for Lunch & Learn and portfolio reviews. They are actively recruiting for paid summer internships and post grad employment in the following areas: Accessories Design Apparel Design Graphic Design – Apparel, Brand, Retail and Web Film & Video Production Footwear Design Technical Design, Patternmaking & Product Fit

  • Otis College of Art and Design and The Art and Design Department at California State University Dominguez Hills will be partnering to bring two Ceramics Artist, Diego Romero ('90) and Michael Sherrill to give a guest lecture and workshop demonstration to take place at both campuses in conjunction with the 73rd Scripps Ceramic Annua, curated by Joan Takayama-Ogawa (Otis College Faculty member).

  • Workshop at Otis College campus with ceramic artist, Michael Sherrill.

  • James Hannaham

    Jan 25| Lectures
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    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

  • Asher Hartman is an interdisciplinary artist, playwright and director whose work at the junction of visual art and theater centers on the exploration of the self in relation to Western histories and ideologies. 

  • The Rodina will present Designing the Leadership, a workshop on action, graphic design and critical thinking. The Rodina was founded in 2011 by Czech-born, Amsterdam-based designers Tereza and Vit Ruller. The studio specialises in video, interactive, installations and visual identities. Event is reserved for Otis MFA students only. 

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Otis College of Art and Design to Mount Exhibition Doin’ It In Public: Feminism and Art at the Woman’s Building

Please contact Margaret Reeve (310) 665 6957 for inquiries.

Retrospective on the Pioneering Work of Feminist Artists, Art Cooperatives at Los Angeles Woman’s Building to Open October 2011

Exhibition and Catalog Part of The Getty Foundation’s Pacific Standard Time: Art in L.A. 1945-1980

LOS ANGELES – March 9, 2010 – Otis College of Art and Design, with financial support from The Getty Foundation, is in the final stages of organizing the much-anticipated exhibition, Doin’ It In Public: Feminism and Art at the Woman’s Building, to be held Oct. 1–Dec. 3, 2011 at Ben Maltz Gallery. The gallery show, catalog and supporting public events will document, contextualize and pay tribute to the groundbreaking work of feminist artists and art cooperatives that were centered in and around the Los Angeles Woman’s Building in the 1970s and 1980s. Doin’ It In Public: Feminism and Art at the Woman’s Building is part of The Getty Foundation’s larger initiative Pacific Standard Time: Art in L.A. 1945-1980 which, through an unprecedented series of concurrent exhibitions throughout Southern California, highlights the significance of art in Los Angeles in the post-World War II decades. The Getty Foundation awarded Otis College of Art and Design two grants totaling $225,000 for this exhibition and a scholarly catalog on the art and artists of the Woman’s Building circa 1975.

Project directors for the Doin’ It in Public exhibition are Meg Linton, director of Galleries and Exhibitions at Otis College, and artist Sue Maberry, director of Library and Instructional Technology at Otis College. Maberry was also program director at the Woman’s Building from 1979-1988. “The feminist art movement of the 1970s set off an explosion of art making and analysis that still reverberates in the art world today, and the Woman's Building in Los Angeles was one of the major centers of activity,” says Maberry. Founded in 1973 by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville, and art historian Arlene Raven, the Woman’s Building pioneered new models of feminist education, advanced new processes for building community, and posited a feminist art that “raises consciousness, invites dialogue, and transforms culture.” From 1973 to 1991 the Woman’s Building housed and supported the creation of highly original works in performance, graphics, literature, video and visual arts, and presented some of the leading women artists of the time, including muralist Judy Baca, artist Betye Saar, performance artist Suzanne Lacy, comedian and actor Lily Tomlin, and authors Kate Millett and Alice Walker, among others.

A prestigious team of scholars has been assembled to contribute essays to the Doin’ It in Public exhibition catalog and provide curatorial advice. The project scholars are Vivien Fryd, professor of art history, Vanderbilt University; Alexandra Juhasz, professor in media studies, Claremont Graduate University; Jennie Klein, assistant professor of art history, Ohio University; Michelle Moravec, assistant professor of history, Rosemont College; Jennifer Sorkin, curatorial associate, Yale Center for British Art, Yale University. One major component of Doin’ It in Public: Feminism and Art at the Woman’s Building will be the focus on the importance of collaborative work that was developed, taught and executed at the Woman’s Building. Collaborative groups and art collaborations are difficult to present and are often neglected in exhibition because they can be too complex - an issue the Woman’s Building exhibition will address.

“The artists, artifacts, and art selected for this project reinforce the profound impact the Woman’s Building had on the feminist art movement,” says Linton, “and will create a strong visual and educational experience for the show’s visitors.” According to the organizers, the goal of Doin’ It In Public is to enhance the audience’s experience by enabling each viewer to fully comprehend the significant impact the Woman’s Building had on the Los Angeles art community, and also how it relates to other Pacific Standard Time exhibitions of the same timeframe.

“Otis College is particularly pleased to present this retrospective on the Woman’s Building,” says Otis President Samuel Hoi, “because Otis has a strong connection to so many of the women artists who established this seminal art center in the 1970s.” Suzanne Lacy is the current chair of Graduate Public Practice at Otis College of Art and Design; Sheila Levrant de Bretteville founded the graphic design program at Otis in 1981; Cynthia Marsh served as the Chair of Communication Arts at Otis from 1992 to 1995; artist Betye Saar taught at Otis in the early 1980s, and was awarded an honorary doctorate in 1992.

See videos and more through the Ben Maltz Gallery site.

 


 

Media inquiries, please contact Sheri Mobley

 

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
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