Events
  • In conjunction with the current exhibition Patterns Bigger Than Any of Us: Jesse Fleming / Pat O'Neill in Ben Maltz Gallery, May 7 - August 12, 2017.

    In Conversation: Jesse Fleming and Pat O'Neill, moderated by LA-based idependent curator and historian Ciara Moloney

     

    Jesse Fleming (b. 1977) is part of an emerging group of artists and technologists that examine the convergence of media art and mindfulness. Recent solo exhibitions were held at Five Car Garage; 356 Mission; and Night Gallery, all in Los Angeles, CA; and the University of Texas in Austin, TX.

    Pat O’Neill’s (b. 1939) artistic and filmmaking career spans over 50 years, and he is highly-regarded for his experiments with film and optical printing. Recent solo exhibitions were held at Berkeley Art Museum and Pacific Film Archive in Berkeley, CA; Monitor in Rome, Italy; VeneKlasen/Werner in Berlin, Germany; Quinta do Quetzal in Vidigueira, Portugal; Mitchell-Innes & Nash in New York, NY; and Cherry and Martin in Los Angeles, CA.

    Ciara Moloney is an independent curator, editor, and writer based in Los Angeles. She was formerly Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson, Christian Boltanski and Kiki Kogelnik.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

  • Photo Credit: Jesse Pniak

     

    F. Douglas Brown received the 2013 Cave Canem Poetry Prize (selected by Tracy K. Smith) for Zero to Three, published by the University of Georgia. He also co-authored the chapbook Begotten with Geffrey Davis as part of Upper Rubber Boot Book's Floodgate Poetry Series. Both a past Cave Canem and Kundiman Fellow, his poems have appeared in the Academy of American Poets, The Virginia Quarterly, Bat City Review, The Chicago Quarterly Review, The Southern Humanities Review, The Sugar House Review, Cura Magazine, and Muzzle Magazine. He is co-founder and curator of un::fade::able - The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism. Brown currently teaches English at Loyola High School in Los Angeles.

  • Emily Raboteau’s nonfiction work Searching for Zion was named a best book of 2013 by the Huffington Post and the San Francisco Chronicle, and was a finalist for the Hurston Wright Legacy Award, grand prize winner of the New York Book Festival, and a winner of a 2014 American Book Award. She is the author of a novel, The Professor’s Daughter, and her fiction and essays have been published and anthologized in Best American Short Stories, the New York Times, The New Yorker, Tin House, Buzzfeed, LitHub, The Guardian, Guernica, Virginia Quarterly, The Believer, and Salon. Other honors include a Pushcart Prize, the Chicago Tribune’s Nelson Algren Award, and fellowships from the NEA, the Lannan Foundation, and the MacDowell Colony. Raboteau teaches creative writing at City College in New York.

O-Tube

High Tech Uniform Designs Propel Olympians to Gold

FOR IMMEDIATE RELEASE
Please contact John Axtell for inquiries and photos:
310-665-6857 / jaxtell@otis.edu
 

2012 Olympic champion Sanya Richards-Ross takes the Gold in a Nike Pro TurboSpeed Kit. Otis College of Art and Design alumnus Scott Williams on Nike innovation and Olympic apparel.

LOS ANGELES, CA, Aug. 10, 2012 - Nike’s 2012 Olympic Track and Field Team Apparel carries the tag “Engineered to the exact specifications of championship athletes,” and Sanya Richards-Ross, the 2012 Olympic Gold Medal Champion in the 400-meter, was wearing a Nike Pro TurboSpeed kit as she crossed the finish line.

Scott Williams, a graduate of Otis College of Art and Design, is Nike’s Creative Director of Sport Innovation and Olympics, and he recently spoke with the editors of Cool Hunting about Nike’s fastest uniforms to date.

The culmination of 12 years of research and more than 1,000 hours of wind tunnel testing, the new streamlined Olympic Kit is what Nike calls a “zero distraction” garment. Scanning technology maps of athletes’ bodies to the nearest millimeter ensured that the uniforms fit like a second skin. Using what Nike calls “Zoned Aerodynamics” to redirect air in targeted areas, the garment works like the surface of a golf ball, with dimpled swaths of “AeroSwift” fabric used to “trip” air on the limbs, which can reach speeds of up to 47 MPH at peak performance. The full-body tracksuit actually adds speed to the skin.

Williams explained that Nike studied hundreds of textures when designing the uniforms, focusing on aesthetics, aerodynamics, and environmental sustainability. The impressive results marry form and function from a detailed data-driven process. The seamless look accentuates the physique, and white patches on the arms and legs of the uniforms will flicker at high speeds giving spectators an added visual.

Among many other projects, Scott Williams has been involved with the Nike Innovation Team of sportswear designers who came up with the so-called "Pre-Core Vest," intended to lower an athlete's core body temperature before long races. The vest debuted at the 2004 Olympics, and has been an evolving technological concept since its introduction.

In 2002, Williams returned to Otis College of Art and Design as a mentor for students in the Fashion Design Department, sharing his cutting-edge design skills and knowledge base, and instructing students in the finer points of designing for a leading innovator in materials research and apparel construction. Scott mentored students again this past year on a project designing prototypes for running, beach volleyball, and basketball apparel for the London 2012 Olympics.

Fashion Design BFA Program
The Fashion Design Department at Otis trains students in all aspects of the design process, offering a fully accredited BFA degree. The school year follows the industry schedule and several seasons are designed simultaneously. Working with professional mentors, students learn far more than the skills needed to sew and draw: they experience all facets of the industry, and they learn to meet deadlines with creativity and self-discipline. Otis Fashion alumni enter the design world as assistant designers, associate designers, illustrators, costume designers, textile designers, accessory designers, and product designers. Some open their own clothing line immediately upon graduation.

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
Otis College Ranked 6th in Nation by The Economist