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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Future Imaginary at Ben Maltz Gallery

Media contact: Kathy MacPherson, galleryinfo@otis.edu, 310.665.6909 
The Future Imaginary January 24 - March 28, 2009

The Future Imaginary

Opening Reception: Saturday, January 24, 4-6pm


The Ben Maltz Gallery at Otis College of Art and Design is pleased to present the exhibition The Future Imaginary, opening January 24, 2009 with a public reception for the artists from 4-6pm. On view through March 28, 2009, the exhibition features work by 11 artists whose work responds to the new interactive DVD novel The Imaginary 20th Century by Norman Klein, Margo Bistis and Andreas Kratky. The exhibition is sponsored by OTIS Ben Maltz Gallery and Public Programs, The Center for Integrated Media at California Institute of the Arts, and The David Bermant Foundation. 
Exhibition-related programming includes a conversation with Tom Leeser, Norman Klein and Margo Bistis on Sunday, February 8 at 4pm, and an exhibition tour led by the curators Tom Leeser and Meg Linton on Saturday, March 28, 11am.Exhibition Curators Tom Leeser, Director of the Center for Integrated Media at California Institute of the Arts, and Meg Linton, Director of OTIS Ben Maltz Gallery and Public Programs, worked in collaboration with author Norman Klein and historian Margo Bistis to create this dynamic, kinetic and provocative interpretation of man’s need to envision the future. The curators and artists engage with the novel by assembling work in response to Klein’s interest in the “misremembering of the future.” Featured artists previewed the DVD novel, and responded by creating a new work or submitting an existing work that engages the premise.

Featured Artists
Deborah Aschheim www.deborahaschheim.com
Jeff Cain http://www.artleak.org/civicmatters/bio_cain.html
Tom Jennings http://wps.com/
Jon Kessler http://www.jonkessler.com/
Ed Osborn www.roving.net
Lea Rekow www.learekow.com/
Douglas Repettohttp://music.columbia.edu/~douglas/portfolio/index.shtml
Phil Ross www.philross.org
Kari Rae Seekins http://www.kariraeseekins.com and Aaron Drakewww.aarondrake.org
Susan Simpson www.manualarchives.org/susan.htm

DVD-Rom/Novel: The Imaginary 20th Century
by Margo Bistis, Norman Klein, Andreas Kratky
The Imaginary 20th Century is a journey into comic and perverse phantoms – factual, and at the same time, very fictional. It contains a double story: the story of the century that opened at the Chicago World’s Fair in 1893, and the story of a woman (Carrie), who in 1901, selects four men to seduce her, each with his own version of the new century. In Europe and America, between 1895 and 1926, there was not simply one ‘imaginary 20th century.’ Dazzling visions repeated and overlapped in seemingly endless nuances, like traveling through phantoms of an imaginary future fed by a single engine. In this project, that engine is a historical science-fiction novel that operates as a gigantic interactive database of 2,200 images with an original sound composition. The images are harvested from period illustration, cartoons, photographs, film, ephemera, industrial design, architectural drawing, urban planning schemes, science fiction, fantasy and utopian novels, and more. This collaborative venture follows up on Klein’s award-winning interactive novel Bleeding Through: Layers of Los Angeles, 1920-1986 (2003). LikeBleeding Through, The Imaginary 20th Century is a new narrative form appropriate to the digital age at the end of a consumer-driven century. It is being released as a DVD-Rom with an accompanying book by Verso in Spring 2009.

Event Schedule:
• The Future Imaginary on view: January 24 – March 28, 2009
• Opening Reception for the artists: Saturday, January 24, 4-6pm
• Conversation with Tom Leeser, Norman Klein and Margo Bistis: Sunday, February 8, 4pm
• Exhibition tour with curators: Saturday, March 28, 11am

About Otis

Established in 1918, Otis College of Art and Design is a national leader in art and design education. The College mission is to prepare diverse students of art and design to enrich our world through their creativity, skill, and vision. Alumni and faculty are Fulbright, MacArthur, and Guggenheim grant recipients, Oscar awardees, legendary costume designers, leaders of contemporary art movements, and design stars at Apple, Abercrombie & Fitch, Pixar, DreamWorks, Mattel, Nike, and Disney.
 
Otis enrolls approximately 1,100 full-time students, and offers Bachelor of Fine Arts degrees in Architecture/Landscape/Interiors, Digital Media (Game and Entertainment Design, Animation, and Motion Design), Fashion Design, Communication Arts (Graphic Design, Illustration, and Advertising Design), Fine Arts (Painting, Photography, and Sculpture/New Genres), Product Design, and Toy Design.  Otis also awards the Master of Fine Arts degree in Fine Arts, Graphic Design, Public Practice, and Writing.   

The five-acre main campus is located on L.A.’s Westside near the beach and LAX; Fashion Design is in the heart of the downtown fashion district; and the Graduate Studios are on the Creative Corridor in nearby Culver City and in the 18th Street Arts Center in Santa Monica.

2,700 adults and children participate in Continuing Education art and design classes and workshops.