Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

Future Imaginary at Ben Maltz Gallery

Media contact: Kathy MacPherson, galleryinfo@otis.edu, 310.665.6909 
The Future Imaginary January 24 - March 28, 2009

The Future Imaginary

Opening Reception: Saturday, January 24, 4-6pm


The Ben Maltz Gallery at Otis College of Art and Design is pleased to present the exhibition The Future Imaginary, opening January 24, 2009 with a public reception for the artists from 4-6pm. On view through March 28, 2009, the exhibition features work by 11 artists whose work responds to the new interactive DVD novel The Imaginary 20th Century by Norman Klein, Margo Bistis and Andreas Kratky. The exhibition is sponsored by OTIS Ben Maltz Gallery and Public Programs, The Center for Integrated Media at California Institute of the Arts, and The David Bermant Foundation. 
Exhibition-related programming includes a conversation with Tom Leeser, Norman Klein and Margo Bistis on Sunday, February 8 at 4pm, and an exhibition tour led by the curators Tom Leeser and Meg Linton on Saturday, March 28, 11am.Exhibition Curators Tom Leeser, Director of the Center for Integrated Media at California Institute of the Arts, and Meg Linton, Director of OTIS Ben Maltz Gallery and Public Programs, worked in collaboration with author Norman Klein and historian Margo Bistis to create this dynamic, kinetic and provocative interpretation of man’s need to envision the future. The curators and artists engage with the novel by assembling work in response to Klein’s interest in the “misremembering of the future.” Featured artists previewed the DVD novel, and responded by creating a new work or submitting an existing work that engages the premise.

Featured Artists
Deborah Aschheim www.deborahaschheim.com
Jeff Cain http://www.artleak.org/civicmatters/bio_cain.html
Tom Jennings http://wps.com/
Jon Kessler http://www.jonkessler.com/
Ed Osborn www.roving.net
Lea Rekow www.learekow.com/
Douglas Repettohttp://music.columbia.edu/~douglas/portfolio/index.shtml
Phil Ross www.philross.org
Kari Rae Seekins http://www.kariraeseekins.com and Aaron Drakewww.aarondrake.org
Susan Simpson www.manualarchives.org/susan.htm

DVD-Rom/Novel: The Imaginary 20th Century
by Margo Bistis, Norman Klein, Andreas Kratky
The Imaginary 20th Century is a journey into comic and perverse phantoms – factual, and at the same time, very fictional. It contains a double story: the story of the century that opened at the Chicago World’s Fair in 1893, and the story of a woman (Carrie), who in 1901, selects four men to seduce her, each with his own version of the new century. In Europe and America, between 1895 and 1926, there was not simply one ‘imaginary 20th century.’ Dazzling visions repeated and overlapped in seemingly endless nuances, like traveling through phantoms of an imaginary future fed by a single engine. In this project, that engine is a historical science-fiction novel that operates as a gigantic interactive database of 2,200 images with an original sound composition. The images are harvested from period illustration, cartoons, photographs, film, ephemera, industrial design, architectural drawing, urban planning schemes, science fiction, fantasy and utopian novels, and more. This collaborative venture follows up on Klein’s award-winning interactive novel Bleeding Through: Layers of Los Angeles, 1920-1986 (2003). LikeBleeding Through, The Imaginary 20th Century is a new narrative form appropriate to the digital age at the end of a consumer-driven century. It is being released as a DVD-Rom with an accompanying book by Verso in Spring 2009.

Event Schedule:
• The Future Imaginary on view: January 24 – March 28, 2009
• Opening Reception for the artists: Saturday, January 24, 4-6pm
• Conversation with Tom Leeser, Norman Klein and Margo Bistis: Sunday, February 8, 4pm
• Exhibition tour with curators: Saturday, March 28, 11am

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
Otis College Ranked 6th in Nation by The Economist