Events
  • Sitting in Sound

    Jul 15| Special Event
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    Image: Electronic Sound Bath
     

  • L: Nora Jane Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception: I Wish I Was a Telephone: Nora Jane Slade and Marisa Takal

    Celebrate the opening of the two-person exhibition of work by Los Angeles-based artists Nora Jane Slade and Marisa Takal.

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

    Opening Reception 3-5pm /  Curator and Artist led walk-thru of the exhibition, 3pm  /  Free

  • Talking to Action

    Sep 17| Exhibition
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    Image: Eduardo Molinari, Confluencia 2: Los Angeles River, 2016.

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

O-Tube

Andy Warhol Foundation Supports Doin It In Public Exhibition and Publications

Please contact Margaret Reeve (310) 665 6957 for inquiries.

LOS ANGELES – July 30, 2010 – The Andy Warhol Foundation has awarded a $50,000 grant to Otis College of Art and Design in support of the publication "From Site to Vision" and the exhibition “Doin it in Public: Feminism and Art at the Woman’s Building.” The ebook "From Site to Vision: The Woman’s Building in Contemporary Culture" documents the history and legacy of the Woman’s Building, a public center for women’s culture that was a powerful symbol of the feminist art movement in Los Angeles and around the world. The exhibition, supported by The Getty Foundation, is part of the larger initiative “Pacific Standard Time: Art in L.A. 1945-1980” which, through an unprecedented series of concurrent exhibitions throughout Southern California, highlights the significance of art in Los Angeles in the post-World War II decades.

Founded in 1973 by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville, and art historian Arlene Raven, the Woman’s Building pioneered new models of feminist education, advanced new processes for building community, and posited a feminist art that “raises consciousness, invites dialogue, and transforms culture.” From 1973 to 1991 the Woman’s Building housed and supported the creation of highly original works in performance, graphics, literature, video and visual arts, and presented some of the leading women artists of the time, such as muralist Judy Baca, artist Betye Saar, performance artist Suzanne Lacy, comedian and actor Lily Tomlin, and authors Kate Millett and Alice Walker.

A prestigious team of scholars have contributed essays to the “Doin’ It in Public” publications, and provided curatorial advice. They include Vivien Fryd, professor of art history, Vanderbilt University; Alexandra Juhasz, professor in media studies, Claremont Graduate University; Jennie Klein, assistant professor of art history, Ohio University; Michelle Moravec, assistant professor of history, Rosemont College; Jennifer Sorkin, curatorial associate, Yale Center for British Art, Yale University. “From Site to Vision: The Woman’s Building in Contemporary Culture,” edited by Sondra Hale and Terry Wolverton, offers a profound and critical examination of the Woman’s Building during the eighteen years (1973-1991) when it was the vital core of Los Angeles feminist art, culture and political activism. Written by many of the artists, writers, and critics who participated in the Woman’s Building, the essays clearly and lucidly recount the struggles, sacrifices and controversies as well as the breakthroughs and successes from the visionary hopes of Sheila de Bretteville for the future of feminist contributions to the groundbreaking performance art of Suzanne Lacy to specific concerns of race, gender, sexuality, ethnicity, and education.

“The Warhol Foundation's focus is to support contemporary visual art, particularly work that is experimental and under-recognized,” said Warhol Foundation President Joel Wachs. “Since the Woman's Building was a major force in the feminist art movement and the L.A. art scene that is unfamiliar to many, we are very pleased to be supporting the exhibition and catalog. The public will now have a unique opportunity to appreciate the Woman’s Building artists and their work.”

Additional information on “Doin’ It In Public: Feminism and Art at the Woman’s Building” is available by calling (310) 665-6905 or at archive.otis.edu/public_programs/ben_maltz_gallery or www.womansbuilding.org/. Detailed information on “Pacific Standard Time: Art in L.A. 1945- 1980” can be found at www.getty.edu/foundation


Media inquiries, please contact Sheri Mobley

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
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