Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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Drawing Emphasis

 

The Drawing Emphasis is created by a structured series of courses in Fine Arts as well as available courses in other programs at the college.  Students explore how mark-making can be a powerful tool for communicating ideas.  Material choices range from the traditional (graphite, charcoal and ink) to the conceptual (mud, oil, thread, marker and more).

 

Fine Arts Department:

DRWG204         Introduction to Experimental Drawing

DRWG320         Experimental Drawing Projects

 

Other Departments:

Communication Arts and Illustratration:

COMD214/215  Drawing + Painting Studio I/II

ILUS310/311     Drawing and Painting for Illustration

 

Digital Media:

DGMD 230        Drawing the Fantastic: The Creative Figure

DGMD231         Drawing the Fantastic for Films and Video

DGMD312         Drawing and Painting Topics

DGMD337         Drawing Animals for Films, TV, and Games

DGMD345         Drawing for Feature Films

 

Toy Design:

TOYD220-421    Drawing I-VI

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