Events
  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.
     

  • Connie Butler, Chief Curator at the Hammer Museum

     

    Artist Polly Apfelbaum in conversation with Connie Butler, on Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • You are invited to hear acclaimed artist Mel Chin discuss his work and recent project The TIE that BINDS: MIRROR of the FUTURE.

    Sunday, September 25, 6:00-9:00pm

    RSVP HERE for Tickets

  • Guthrie Lonergan was born in 1984 in Los Angeles. He received a Bachelor of Arts from the University of California, Los Angeles in 2006.

  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

O-Tube

Implementation

E-portfolios are a feature of O-Space (online learning management system) and are currently in active use by many students and faculty on the Otis Campus. To date, O-Space contains over 1,000 e-portfolios. These e-portfolios have been self-initiated, assigned in classes, used as professional e-portfolios, and/or are required as part of a particular program.
 
The use of e-portfolios for the purposes of creating a Learning ePortfolio was beta-tested in select courses in Liberal Arts and Sciences in 2008-09, and was launched as an initiative in 2009-10 for all incoming foundation students in their Liberal Arts and Sciences courses.
 
Currently, Otis is in the process of college-wide implementation of Learning ePortfolios across all departments, including studio and major areas as well as co-curricular activities.
 

e-Portfolio/Learning e-Portfolio Timeline

  • 2006-07, ePortfolios were available as part of O-Space, and beta-tested with Artists, Community, and Teaching (A.C.T.) courses.
  • 2008-09, Liberal Arts and Sciences beta tested the use of Learning ePortfolios in select courses: the first year Honors Art History course, and two senior Capstone beta courses.
  • March 2009, Admissions offered ePortfolios as an option for portfolio submissions.
  • 2009-10, Learning ePortfolios are a requirement in Liberal Arts and Sciences starting with the first year courses. Foundation and Product Design programs are beta-testing the use of a learning eportfolios in select studio courses.
  • 2010-11, Learning ePortfolios are a required element in all Foundation and Sophomore Liberal Arts and Sciences courses. Students in their studio majors, use their Learning ePortfolio in an least one course.
  • 2011-12, Learning ePortfolios are a required element in all Foundation, Sophomore and Junior Liberal Arts and Sciences courses. Capstone courses are required for all Seniors in which the Learning ePortfolio platform is used.
  • 2012-13, Learning ePortfolios are a required element in all Liberal Arts and Sciences courses as well as posting of Signature Assignment.
  • 2013-14, use of Learning ePortfolios continues in courses.
  • 2014-15, Academic Departments begin using Learning ePortfolios as part of assessment.
  • 2016-17, Student and Faculty Learning Centers use ePortfolios for onboarding/training programs for tutors and new faculty.
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