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Events
  • Women of Otis, Please Join…. 

     

    Victoria Alonso 

    Executive Vice President of Visual Effects and Post Production, Marvel Studios 
    In a conversation about how to become a successful woman in a male dominated field 

     

    Thursday, October 30 

    The Forum 

    11:00 – 12:30 

     

    *open to women students, faculty and staff.

  • Phillip Zach

    Oct 30| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Phillip Zach.

    Thursday, October 30th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Visit the Campus. Get advice on your portfolio. Talk to faculty and students. Learn more about financial aid.

     

    Register now for Open House 2014.

     

    CHECK-IN BEGINS AT 12:30
    WORKSHOPS 

    1:00 – 1:45
    Financing Your Education
    Center for Creative Professions: Create Your Future 

    2:00 – 2:45
    Housing Options: Making a Good Fit

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

     

    This week 4-6pm is Waves to Asia with DJ Pheonix, DJ Z and DJ Kai, bringing some Asian culture to the air waves, including J-Pop, K-Pop and Chinese Pop, as well as popular anime music. Also as part of the show we will feature a talk about Asian food that you can get and try in Los Angeles.

     

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

    This week 4-5pm is Rewind 1976 with DJ’s Gabriel Rojas, Nauseous P, and Little C. Join us to count down the songs on the top of the charts... 1976 style. We'll be playing the hits as if it's that very Autumn day 30+ years ago.

  • Otis Radio: Rap Realm

    Nov 10| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

  • Scott Short

    Nov 11| Lectures
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    Scott Short | Born 1964 in Marion, OH | Lives and works in Paris, France 

     

O-Tube

Whitney BIennial includes Otis alumnus and faculty member

John Mason, Joel Otterson

The Whitney Museum's Biennial opens Friday, March 7, and includes work by alumnus John Mason ('57) and faculty member Joel Otterson. Both artists blur the difference between art and craft.

Mason's abstract clay sculptures completed over the last six decades have contributed to changing the medium. From 1957-1965, Mason focused on exploring the physical properties of clay—its possibilities as well as its limitations, constantly experimenting with plasticity, pushing clay to its technical limits, and developing innovative firing techniques. His tall vertical sculptures, huge wall reliefs, cross forms and geometric shapes explore symmetry, rotation, mass, and the integration of color and form. His interest in primitive art is manifested in the mysterious and totemic quality of many of his works. L.A. art critic Suzanne Muchnic, writing for ArtNews, describes his position: “A major figure in ceramic sculpture, Mason emerged in the mid-1950s as one of the leaders of a revolution that transformed clay from a craft to a fine art medium … In his latest work, Mason has proved himself a master builder and sculptor who knows how to get the most out of a relatively simple three-dimensional form.”  As John Coplans writes, “he is not only capable of endowing his massive images with a rich complexity of associative values, but in helping to free ceramics from its long tradition of vessel form and intimate scale he has persuasively demonstrated the flexibility of a hitherto limited material.”

 

Joel Otterson scours swap meets for found objects that become part of his assemblages. For the past 30 years, he has made sculpture that combines aspects of domestic handicraft with traditional sculptural materials such as copper pipe, woodworking, pottery, porcelain, china, earthenware, concrete, marble, and stained glass. Using quilting, lacemaking, and sewing, traditionally associated with feminine crafts, Joel turns these humble materials into muscular art. He was one of the youngest artists ever selected for a one-person exhibition in the Projects Room of the Museum of Modern Art, N.Y. (1987), and has been included in both the 1993 Venice Biennale, and "Made in L.A," the first California biennial held at the Hammer Museum, L.A. "Brancusi would be one of my favorite artists and influences. I make everything myself. I also love decorative arts, furniture, dinnerware, and architecture, because it’s all about living. My influences are eclectic, and for me it speaks about our “postmodern” world and especially about being American. I am very interested in how an inanimate object can trigger an emotion."