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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
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    Feb 15| Academic Dates
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  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

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  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

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Made in LA features faculty, alumni

Hammer Museum exhibition

The Hammer Museum's biennial Made in LA, through Sept 7, features work by alumni Tony Greene '85, Kim Fisher MFA '98, Juan Capistran '99, and Mike Frimkess MFA '57. The curators selected 35 artists, with an emphasis on those who are emerging and under recognized. The exhibition debuts recent work and new painting, installation, video, sculpture, photography, and performances created specifically for the exhibition.

One of the under recognized artists in the exhibition is alumnus Tony Greene (‘85), who died of AIDS in 1990. His paintings have not been exhibited or recognized since 1995. One room at the Hammer contains the exhibition Amid Voluptuous Calm, which excavates Greene’s oeuvre, placing it in dialogue with other queer artists in Los Angeles whose work similarly tackles issues of desire, mortality, and trauma. Among those artists is faculty member Judie Bamber.  This “show-within-a-show” hints at the numerous ways visual art, poetry, activism, performance, and S&M converge, and how notions of queerness inform artistic production.

Alumnus Michael Frimkess (’57) and his wife Magdalena Suarez Frimkess have been making ceramic work since Michael graduated from Otis, continuing the tradition that Peter Voulkos began in the 1950s. They collaborate on work that comments on contemporary life with imagery from comic books, scenes from South American villages, and Picasso masterpieces. YouTube Video

Also included in Made in LA are site-specific pieces by Juan Capistran ’99 and Kim Fisher MFA ’98.

Faculty member Lauren Mackler shows work from her enterprise Public Fiction, characterized by the LA TImes as "a social hub and a destination for creative experimentation for dozens of emerging and well-known artists."

"It's something you see internationally," curator Connie Butler says. "But we felt that right here, right now, there's a certain vitality around these groups in L.A." Mackler chooses a topic for each show, then invites artists to create work — visual artworks, lectures, performances, screenings, musical acts, fiction, anything goes — around that idea. Each exhibition's three-month run culminates in a printed journal Mackler creates, featuring new works inspired by the show.

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