Events
  • Sitting in Sound

    Jul 15| Special Event
    More
    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
    More

    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

Floating Realities: The Art of Masami Teraoka

Teraoka's ('68 MFA Fine Arts) Solo Exhibition at the Nicholas & Lee Begovich Gallery

Floating Realities: The Art of Masami Teraoka ('68 MFA Fine Arts) is on view at Cal State Fullerton’s Nicholas & Lee Begovich Gallery through March 2, 2017. Focusing on the Japanese influences in Teraoka’s work, the artist's drawings and paintings are exhibited alongside examples of historical Japanese prints.

Masami Teraoka’s work integrates fantasy, humor, history and wry observations on present-day life. Born near Hiroshima, Japan, Teraoka moved to the U.S. in 1961 to pursue art studies. In the 1970s, his work explored modern versions of Ukiyo-e prints imbued with personal commentary and depicted the clash of Eastern and Western cultures. His more recent large-scale narrative paintings combine elements of the Japanese woodblock print with inspiration from Renaissance church art and often illustrate social and political controversies. Teraoka has had over 70 solo exhibitions around the world including at the Whitney Museum of American Art, The Contemporary Museum, Honolulu, the Yale University Art Gallery, the Smithsonian Institution’s Arthur M. Sackler Gallery, and the Asian Art Museum, San Francisco. His work is included in over 50 public collections worldwide. 

For more information, visit www.fullerton.edu/arts/art/exhibitions/begovich_gallery.php

Image: Masami Teraoka, McDonald's Hamburgers Invading Japan / Geisha and Tattooed Woman, 1975, watercolor paper.

Tags
Otis College Ranked 6th in Nation by The Economist