• Sitting in Sound

    Jul 15| Special Event
    Jesse Fleming, A Theory of Everything, 2015, Installation view.
  • Opening Reception

    Jul 15| Special Event

    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).


Findings of the Otis Report on the Creative Economy of California Unveiled

Joint Committee on the Arts Highlights New Report on Creative Economy
By Santa Monica Mirror

The hearing coincided with the release of the “2015 Otis Report on the Creative Economy of California,” an annual report by the Otis College of Art and Design, which for the first time contained a regional analysis of creative industries within eight geographic areas of the state.

“The Otis Report is a tremendous resource that highlights the unlimited financial and cultural impact of creative industries in our state,” said Senator Allen.  “This year’s first-ever regional breakdown in the report was an exciting addition to our knowledge base that shows creative industries are a valuable economic force across the entire state.”

The creative industries include entertainment, art galleries, digital media, visual and performing arts, fashion, architecture and interior design, furniture and decorative arts, products and industrial design, toys, and performing arts studios. Key findings of the report include:

California had the largest number of creative industry workers in the nation in 2014, with 722,600 direct workers.

The net economic contribution of the creative economy was equal to 9.4% of California’s gross state product in 2014.

With total employment of 1.6 million workers, the creative industries accounted directly or indirectly for nearly 12% of all wage and salary employment in 2014.

Entertainment, publishing and printing, and fashion were the largest industries in California’s creative economy by employment.

“The statewide Otis Report has been a game-changer for California’s arts field over the past three years and its effectiveness has been championed by the leadership of our state's Joint Committee on the Arts,” said Craig Watson, Director, California Arts Council.  “California’s competitive edge nationally, and globally, is made possible as a result of innovative and creative leaders investing in our towns and cities. Now, with the new regional snapshots made available in this year’s report, local communities can pinpoint the direct role they play in advancing the success of their region, and of our entire state.”

“The Otis Report on the Creative Economy of California provides a powerful and persuasive evidence of the enormous fiscal impact of the creative industries in California,” said Bruce Ferguson, President, Otis College of Art and Design.

The Otis Report was commissioned by the Los Angeles County Economic Development Corporation, and was developed with support from the California Arts Council. 



Otis College Ranked 6th in Nation by The Economist