Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

Nekeya Billingslea: 2007 TLC Technology Grant Report


Excerpt:

Instructor's Journal for the OtisStar Blog

Before:

The first thing I did for this project was familiarize myself with Blogger. Although I had visited blog sites and considered myself relatively knowledgeable of the technology, I felt I needed a little more information to actually create one. So, at the suggestion of Kathlen Forrest, I signed up for the Lynda.com tutorial. It was great. What it helped me do was plan and organize the blog site while trouble-shooting at the same time. Also, I continued to visit blog sites to get ideas for what I could possibly do. I especially decided to focus on sites created by artists and sites for artists.

I already had an idea of the kinds of prompts and discussions I wanted us to have. One early morning, at 3 a.m., I woke up and all of the questions I wanted to ask the class came to me. Actually, that was the most stressful part of this project. In my opionion, it doesn't matter how fancy or visually attractive a site is; if it doesn't have meaningful content, especially for a class, then it still doesn't mean much.

Week 1:

Creating the site was a virtual breeze (pun intended.) Everything is up and running. I put images up and it is looking quite neat. After I posted the first prompt, their responses trickled and surprised me pleasantly. This thing began to take on a life of its own. In the layout of the site, I didn't have a prompt section. The prompt was embedded in my initial post. So, after a few responese, the prompt was lost. What happened is that students began posting responses to each other's posts. The prompt was entirely lost. For a few seconds I was irritiated --- I think more at myself that at the students or the unexpected turn of events. Why didn't I foresee that? Then I began to really appreciate the life that the discussion took on of its own accord. It reminded me that I am only a faciliatator and catalyst of sorts. I was pleased to discover that my role is secondary and that this site is all about the students' discussion and exploration of ideas.

--Nekeya Billingslea
Liberal Arts and Sciences

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