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Events
  • Angie Kim

    MFA Exhibition: SAME

    Reception Thursday, Feb 6th, 6-9 pm

  • Amy Adler

    Feb 03| Lectures
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    Amy Adler graduated from Cooper Union and received an MFA in Visual Art from UCLA and an MFA in Cinematic Arts from USC. She has had one person shows at the Museum of Contemporary Art Los Angeles, the Museum of Contemporary Art San Diego and The Aspen Art Museum as well as galleries worldwide. 
     
  • same / mfa THESIS EXHIBITION 



    Angie Kim

    Exhibition, February 2 - 8, 2015 

    Reception, February 5, 6:00 - 9:00pm
 

    
Map of Location

     
  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • Alex Israel

    Feb 10| Lectures
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    The work of Alex Israel is deeply entwined with his hometown of Los Angeles. The artist creates art that riffs on Hollywood culture and the cult of celebrity. His first major body of work consisted of rented studio props, transformed into readymades by their placement in the gallery—some blatantly obvious in their artificiality. He gave celebrities the same treatment in the video series “As It Lays”, video portraits based on campy TV talk shows.
  • Menno Cruijsen, Lava Design
    February 12, 12:30-1:30, Ahmanson 6th floor

    Lava was founded in 1990 by creative director Hans Wolbers (the Netherlands, 1965). The current team consists of 10 talented designers and three projectmanagers. The agency is focused on creative strategy, editorial design and dynamic identities.

    http://www.lava.nl

  • MAKING SENSE / Thesis Exhibition 



    Exhibition, February 16 - 21, 2015 

    Reception, February  19, 6:00 - 9:00pm
 

    
Map of Location

     

    

Website: www.rachelwolfe.com | Blog: howlya.tumblr.com

O-Tube

MOOC

Massive Online Open Course Reinterprets Contemporary Art
MOOC developed by Otis College of Art and Design examines key issues surrounding the making, viewing, and interpretation of modern art

 

Dr. Parme Giuntini Otis College of Art and Design

Dr. Parme Giuntini Otis College of Art and Design

 

Anyone interested in such ‘modern geniuses’ as Monet, van Gogh, and Picasso, and their impact on contemporary life and art, will find this course exhilarating.

 

 

Los Angeles, CA May 15, 2013

 

Otis College of Art and Design will offer its first massive online open course (MOOC) in Art History, entitled "The Modern Genius: Art and Culture in the 19th Century," starting June 17, 2013.
"The Modern Genius" focuses on key issues surrounding the making, viewing, and interpretation of art in the late 19th century, when radical artists subverted tradition and permanently changed not only visual culture but society itself. Beyond style, technique, and fine art, the course will engage participants in the critical issues of modernity from Realism through Post-Impressionism, and address the larger world of visual culture that made this period so fascinating and complex. Participants will have an opportunity to explore a revolutionary moment in time when the very concept of art was in flux and conventional ideas in art-making were challenged, and to understand how that tumult of genius and modernity continues to influence us today. “Otis is thrilled to offer such an important course free to the public and taught by a brilliant, dynamic professor,” said Otis Provost Kerry Walk. “As an educational institution, Otis strives to enrich the world by sharing knowledge with the community beyond our campus. Anyone interested in such ‘modern geniuses’ as Monet, van Gogh, and Picasso, and their impact on contemporary life and art, will find this course exhilarating.” The Otis MOOC is being offered through canvas.net and is free to the public. Go to: http://www.canvas.net to sign up!

 

START DATE: June 17th, 2013

COURSE TITLE: The Modern Genius

COURSE DESCRIPTION: This Art History course investigates the role of the French avant-garde in developing and showcasing new modern forms and approaches to art and visual culture in the 19th century. It addresses the most critical issues of modernity from Realism through Post-Impressionism as they relate to the stylistic changes that challenged academic art, the new subjects that confounded modern audiences, and the new roles and authority of the modern artist.

Through a series of video podcasts and online readings over five weeks, participants will understand the issues of modernity and the way that art and art-making addressed these issues, and recognize the profound impact that 19th-century Europe had in shaping our contemporary ideas of the “modern.”

INSTRUCTOR: Parme Giuntini, Ph.D.