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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

MOOC

Massive Online Open Course Reinterprets Contemporary Art
MOOC developed by Otis College of Art and Design examines key issues surrounding the making, viewing, and interpretation of modern art

 

Dr. Parme Giuntini Otis College of Art and Design

Dr. Parme Giuntini Otis College of Art and Design

 

Anyone interested in such ‘modern geniuses’ as Monet, van Gogh, and Picasso, and their impact on contemporary life and art, will find this course exhilarating.

 

 

Los Angeles, CA May 15, 2013

 

Otis College of Art and Design will offer its first massive online open course (MOOC) in Art History, entitled "The Modern Genius: Art and Culture in the 19th Century," starting June 17, 2013.
"The Modern Genius" focuses on key issues surrounding the making, viewing, and interpretation of art in the late 19th century, when radical artists subverted tradition and permanently changed not only visual culture but society itself. Beyond style, technique, and fine art, the course will engage participants in the critical issues of modernity from Realism through Post-Impressionism, and address the larger world of visual culture that made this period so fascinating and complex. Participants will have an opportunity to explore a revolutionary moment in time when the very concept of art was in flux and conventional ideas in art-making were challenged, and to understand how that tumult of genius and modernity continues to influence us today. “Otis is thrilled to offer such an important course free to the public and taught by a brilliant, dynamic professor,” said Otis Provost Kerry Walk. “As an educational institution, Otis strives to enrich the world by sharing knowledge with the community beyond our campus. Anyone interested in such ‘modern geniuses’ as Monet, van Gogh, and Picasso, and their impact on contemporary life and art, will find this course exhilarating.” The Otis MOOC is being offered through canvas.net and is free to the public. Go to: http://www.canvas.net to sign up!

 

START DATE: June 17th, 2013

COURSE TITLE: The Modern Genius

COURSE DESCRIPTION: This Art History course investigates the role of the French avant-garde in developing and showcasing new modern forms and approaches to art and visual culture in the 19th century. It addresses the most critical issues of modernity from Realism through Post-Impressionism as they relate to the stylistic changes that challenged academic art, the new subjects that confounded modern audiences, and the new roles and authority of the modern artist.

Through a series of video podcasts and online readings over five weeks, participants will understand the issues of modernity and the way that art and art-making addressed these issues, and recognize the profound impact that 19th-century Europe had in shaping our contemporary ideas of the “modern.”

INSTRUCTOR: Parme Giuntini, Ph.D.