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  • Warren Neidich

    Aug 28| Lectures
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    Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary works combines photographic, video, internet downloads, scotch tape  and noise installations.

    www.warrenneidich.com

  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Maura Bendett: 2011-12 Faculty Development Grant Report


Project Description:

In Fall 2011 I received a Faculty Development Grant to purchase a MIG welder to fabricate my sculptures. I also received funds to purchase umbrella lights/stands, a seamless backdrop, and a tripod, which have enabled me to take professional quality photographs of my art. Additionally, I obtained financial support to buy two ceiling lighting fixtures for my studio.

Benefits:

Receiving this grant helped me in my studio practice in multiple ways. It has made it possible for me to weld my sculpture at my studio, instead of having to drive, with my sculpture, to another location to use borrowed welding equipment (#1, #2, #3, welded sculptures in various stages of production).

I have used the umbrella lighting system/seamless backdrop/tripod to shoot photos of my current work for professional activities. I have also been able to photograph several older sculptures that have been taking up space on my studio walls for a year (#4, light stands/umbrellas and installer Tom Villa hanging my ceiling lights). Afterwards, I moved the older sculptures into storage, thus creating additional walls on which to hang my current work.

However, the biggest impact so far has been the installation of the two new overhead ceiling lighting fixtures, (#5, both light fixtures installed and separated by a skylight). They have made a huge difference in the environment at my studio. Their bright light made it apparent to me that my studio desperately needed to be repainted (#6, #7, #8). One of the walls, a 14' brick wall, had never even been painted all the way up to the ceiling (#9). Because the new ceiling lights illuminated absolutely everything, down to the smallest detail, my studio looked much dirtier than I realized. As a result, I was inspired to bring my studio up to speed. Subsequently, I spent four exhausting days repainting the walls (#10, #11, repainting in progress). You can clearly see the difference in the before and after pictures. I also did some major spring-cleaning at the same time. At the present I feel my studio looks amazing (#12).

Value to Otis:

Now that my workspace projects a professional demeanor, I look forward to bringing my current Otis summer elective class, "Experimental Painting", (as well as future classes) to my studio for a field trip. I have also begun using my new photo equipment to create a power point presentation of my sculptures and drawings to show to my Principles of Design classes this fall. Neither of these projects would have been possible before without a Faculty Development Grant to acquire new equipment.

Conclusion:

It is vital to have a brightly lit and well-organized studio and work environment in order to create, maintain, and project a professional atmosphere. This is because as a professional artist I need to entertain studio visits from gallerists and curators, photograph and market images of my work, and to easily produce my sculptures. The Otis Faculty Development Grant has greatly enhanced my ability to accomplish these endeavors, and has been instrumental in helping me to strive to achieve my highest potential so far (#13, #14, #15, #16).

--Maura Bendett
Foundation

Read Full Report [PDF]

Ill. #12: Maura Bendett's Studio
Ill. #12: Maura Bendett's Studio

Work (ill. #15)
Ill. #15: Work by Maura Bendett