Events
  • Shila Khatami

    Oct 04| Lectures
    More

    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
    More

    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
    More

    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • Patrick Jackson studied at San Francisco Art Institute (BFA) and the University of Southern California (MFA). In May 2017, Patrick Jackson will have a solo exhibition at The Wattis Institute, San Francisco.

O-Tube

Marlena Donohue: 2007-08 Faculty Development Grant Report


Report:

As critic and scholar particularly interested in the 60s as that crucible epoch that gives rise to counter culture and Feminism, I was invited to attend as a critic and correspondent to the Monitor in Boston, the major Beat retrospective at the Whitney Museum in 1995 titled, "Beat Culture and the New America, 1950-1965."

I attended the Press opening and a variety of lectures and was drawn immediately to a brilliantly painted, very eccentric oil of a famous strip joint in North Beach executed by an artist named Michael Bowen; I had no knowledge of this artist and this shocked me.

Beat Culture and the New America 1950-1965

Cover of the exhibition catalog, Beat Culture and the New America, 1950-1965

I am widely familiar with almost all Beat work done in the early 50s in Los Angeles and then in the late 50s and 60s in San Francisco. I had not seen this very fine work before. Another of Bowen’s paintings was in fact used to illustrate the Time magazine review of the exhibition.

I was further intrigued after having been invited to a press lecture at the Whitney where this rather raving artist spoke with vivid and historically accurate anecdotal detail about his intense and long term contacts with seminal figures of the 60s both in Los Angeles and in San Francisco: Tim Leary; William S. Burroughs, Allen Ginsberg, Edward Kienholz, John McCracken, Allan Cohen, the poet Ferlinghetti. The more interesting fact to me was that Michael Bowen’s name reoccurred in passing in ephemera of the era, like letters by and within the inner circle of Beat culture, but neither his work nor his art were in any official historical record of the Beat generation.

Otis College Ranked 6th in Nation by The Economist