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Events
  • Otis Radio: Hot News

    May 02| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

     

    This week from 5:00 - 6:00 pm is Hot News with DJs Cindy Ho, Ana Molina, and April Oh who cover all the trending NEWS!

     
    Listen online at KLMU.

    All shows will be simulcast on 96.1FM in the Otis Cafe and archived on otisradio.tumblr.com

  • Otis Radio: flashback

    May 02| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

    This week from 5:00pm - 6:00pm is flashback: nostalgic static with DJ's Alix, April and Dane. Come listen and chat about nostalgic representations that make us who we are, from music, accessories, to fashion mistakes.


    Listen online at KLMU.

  • Graduate Fine Arts presents

    Now What?

    Class of 2016 Final MFA Exhibition  

     

    Family and Friends Night Celebration: Saturday, May 14, 6-9pm

    Ashton Allen

    Amanda Benefiel

    Ok-Young Choi

    Janet E. Dandridge

    Melany Dierks

    Elif Erkan

    Kathryn Kert Green

    Elizabeth Medina

    Kristin Moore 

    Jeisung Oh

    Zachary Roach

    Regine Rode

     

  • Learn about the Teacher Credentialing process with:

  • Otis Radio Olympics

    May 03| Special Event
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    Otis Radio students Bree Miller, Natasha Carovska and Rania Ann Zahir present Otis Radio Olympics.

    Play Games and Win Prizes!

    Come join them outside to relieve your stress from finals by playing Musical Chairs, Red Light Green Light, Simon Says, and other beloved childhood games.

  • Graduate Public Practice 
    2016 MFA Degree Presentations

    Henderson Blumer
    Jeanette Degollado
    Margarethe Drexel
    Tonya Ingram
    Jenny Kane
    Shefali Mistry
    Beth Ann Morrison
    Catherine SCOTI Scott
     

    EXHIBITIONS AND EVENTS:

     
    Tuesday May 3, 7 – 9:00 p.m. 

    Shefali Mistry leads Michelada Think Tank event on artists of color

  • For decades, the Los Angeles–based artist Lita Albuquerque has blurred distinctions between Land art and Light and Space on increasingly grander scales, whether it be building installations surrounding the pyramids in Egypt or placing sculptures across Antarctica to mirror the formation of the stars. Her cosmic explorations continue with two new bodies of work that are currently being shown at Kohn Gallery in Hollywood, from January 9 through February 27, 2016, and at USC’s Fisher Museum of Art, from January 26 through April 10, 2016.

O-Tube

Marlena Donohue: 2007-08 Faculty Development Grant Report


Report:

As critic and scholar particularly interested in the 60s as that crucible epoch that gives rise to counter culture and Feminism, I was invited to attend as a critic and correspondent to the Monitor in Boston, the major Beat retrospective at the Whitney Museum in 1995 titled, "Beat Culture and the New America, 1950-1965."

I attended the Press opening and a variety of lectures and was drawn immediately to a brilliantly painted, very eccentric oil of a famous strip joint in North Beach executed by an artist named Michael Bowen; I had no knowledge of this artist and this shocked me.

Beat Culture and the New America 1950-1965

Cover of the exhibition catalog, Beat Culture and the New America, 1950-1965

I am widely familiar with almost all Beat work done in the early 50s in Los Angeles and then in the late 50s and 60s in San Francisco. I had not seen this very fine work before. Another of Bowen’s paintings was in fact used to illustrate the Time magazine review of the exhibition.

I was further intrigued after having been invited to a press lecture at the Whitney where this rather raving artist spoke with vivid and historically accurate anecdotal detail about his intense and long term contacts with seminal figures of the 60s both in Los Angeles and in San Francisco: Tim Leary; William S. Burroughs, Allen Ginsberg, Edward Kienholz, John McCracken, Allan Cohen, the poet Ferlinghetti. The more interesting fact to me was that Michael Bowen’s name reoccurred in passing in ephemera of the era, like letters by and within the inner circle of Beat culture, but neither his work nor his art were in any official historical record of the Beat generation.

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