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  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

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  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • Rear Window

    Kristin Moore
    Thesis Exhibition
    Feb 16th-19th, 2016

    Reception:

    Thursday, Feb 18th, 6-9PM

    Bolsky Gallery
    Otis College of Art and Design
    9045 Lincoln Blvd. 
    Los Angeles, CA 90045 
    310.846.2614


    Gallery Hours: Tues-Fri 10am-5pm, Sat-Sun 12pm-4pm

     

  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

O-Tube

Type Specimen of J.F. Rosart

The Type Specimen of J.F. Rosart

Location: Z 250 R78

Jacques-François Rosart, a Belgian punchcutter and typefounder, ran one of the two main typefounders in Brussels in the late 18th century.

He started out in Haarlem as a punchcutter In 1740 and published twelve type specimens in 1741, as well as 14 ornaments. From 1746 until 1752, he cut another thirteen different alphabets. He had a contract with Enschedé, where he made the gorgeous shaded capital face Rosart. He moved back to Brussels in 1759 where he ran his own foundry. He published books with specimens in 1752, 1761 and 1768. The Library has a facsimile of the 1768 edition.

Typefaces based on his work include McMurtrie Title (1922) and Vanity Fair Capitals (1923).

History of Type by Luc Devroye

Epreuve des caractères qui se gravent & fondent dans la nouvelle fonderie

Portrait of Rosart

Portrait of Rosart

Rosart, Cover of 1768 edition

Cover of 1768 edition

Rosart, Grosse De Fonte Romain

Grosse De Fonte Romain

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