Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

O-Tube

Type Specimen of J.F. Rosart

The Type Specimen of J.F. Rosart

Location: Z 250 R78

Jacques-François Rosart, a Belgian punchcutter and typefounder, ran one of the two main typefounders in Brussels in the late 18th century.

He started out in Haarlem as a punchcutter In 1740 and published twelve type specimens in 1741, as well as 14 ornaments. From 1746 until 1752, he cut another thirteen different alphabets. He had a contract with Enschedé, where he made the gorgeous shaded capital face Rosart. He moved back to Brussels in 1759 where he ran his own foundry. He published books with specimens in 1752, 1761 and 1768. The Library has a facsimile of the 1768 edition.

Typefaces based on his work include McMurtrie Title (1922) and Vanity Fair Capitals (1923).

History of Type by Luc Devroye

Epreuve des caractères qui se gravent & fondent dans la nouvelle fonderie

Portrait of Rosart

Portrait of Rosart

Rosart, Cover of 1768 edition

Cover of 1768 edition

Rosart, Grosse De Fonte Romain

Grosse De Fonte Romain

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