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Events
  • Otis welcomes the Japan Foundation and honored guests Kashiwagi Hiroshi and Yoshifumi Nakamura for a lecture on contemporary Japanese design. 
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

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Two Winchester Bibles

The Two Winchester Bibles

Walter Oakeshott, Clarendon Press, 1981

Location: Special Collections

This large-format book is a study of the Winchester Bibles and the artists who illuminated them. Walter Oakeshott is a scholar in the area of Medieval Art and illustrated manuscripts.

The Winchester Bible is the finest of the great 12th century illuminated bibles, distinguished by its sheer size and sumptuous decoration. Using over 250 skins of calves, illuminators working over a period of 15 years depicted words and scenes from the Bible in pure gold and lapis lazuli from Afghanistan.

"Although the script of the Winchester Bible was mainly the work of one scribe, it was decorated by several artists working in widely different styles, both figural and decorative. It is difficult to imagine that artists of such widely differing attitudes could be contemporaries, although it is possible that some worked in conservative styles concurrently with others who were introducing new ideas. An understanding of the artists involved is complicated by the fact that some of them painted over drawings by others with the consequent interaction between the various styles. The differences between the artists suggest that they were lay professionals of diverse origins and artistic backgrounds, who were employed to decorate a Bible produced within the monastic scriptorium. Blank spaces in the book and illustrations left in a drawn stage reveal that its decoration was never completed." -- Oxford Art Online

Winchester Bible at BodleianDavid harping, and St. Jerome writing, in Beatus initial. Bible, Winchester, 2nd half of 12th century. ‘The Auct. Bible’ or ‘St. Hugh’s Bible’, vol. II. Bodleian Library, Oxford, England.

Winchester Bible at CathedralGod touches Jeremiah’s lips with the gift of prophecy. Cathedral Library, Winchester, England. Photo by John Crook.