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  • Memorial Day

    May 30| Academic Dates
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    Closed for the Holiday.

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  • Campus Closed for the Holiday.

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  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

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Two Winchester Bibles

The Two Winchester Bibles

Walter Oakeshott, Clarendon Press, 1981

Location: Special Collections

This large-format book is a study of the Winchester Bibles and the artists who illuminated them. Walter Oakeshott is a scholar in the area of Medieval Art and illustrated manuscripts.

The Winchester Bible is the finest of the great 12th century illuminated bibles, distinguished by its sheer size and sumptuous decoration. Using over 250 skins of calves, illuminators working over a period of 15 years depicted words and scenes from the Bible in pure gold and lapis lazuli from Afghanistan.

"Although the script of the Winchester Bible was mainly the work of one scribe, it was decorated by several artists working in widely different styles, both figural and decorative. It is difficult to imagine that artists of such widely differing attitudes could be contemporaries, although it is possible that some worked in conservative styles concurrently with others who were introducing new ideas. An understanding of the artists involved is complicated by the fact that some of them painted over drawings by others with the consequent interaction between the various styles. The differences between the artists suggest that they were lay professionals of diverse origins and artistic backgrounds, who were employed to decorate a Bible produced within the monastic scriptorium. Blank spaces in the book and illustrations left in a drawn stage reveal that its decoration was never completed." -- Oxford Art Online

Winchester Bible at BodleianDavid harping, and St. Jerome writing, in Beatus initial. Bible, Winchester, 2nd half of 12th century. ‘The Auct. Bible’ or ‘St. Hugh’s Bible’, vol. II. Bodleian Library, Oxford, England.

Winchester Bible at CathedralGod touches Jeremiah’s lips with the gift of prophecy. Cathedral Library, Winchester, England. Photo by John Crook.

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