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Events
  • Lucy Orta (b. Sutton Coldfield, UK, 1966) and Jorge Orta (b. Rosario, Argentina, 1953) founded Studio Orta in 1991. Lucy + Jorge Orta’s collaborative practice focuses on the social and ecological factors of environmental sustainability to realise major bodies of work employing drawing, sculpture, installation, object making, couture, painting and silkscreen printing, as well staging workshops, ephemeral interventions and performances.

  • Otis Community Banquet

    Oct 22| Special Event
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    In conjunction with the exhibition Food - Water - Life / Lucy + Jorge Orta
    Wednesday, October 22 | Bobrow Green
    11:30am – 12:30pm: Banquet for participating classes
    12:30 – 1:15pm: Open to Otis Community to view class projects created for Banquet, and sample soup and fruit-infused water

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artists Lucy + Jorge Orta.

    Thursday, October 23rd, 10am

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • Artists Lucy + Jorge Orta in conversation with the curators Ginger Gregg Duggan and Judith Hoos Fox of the traveling exhibition Food - Water - Life / Lucy + Jorge Orta. The conversation is followed by a reception. Food - Water - Life / Lucy + Jorge Orta is on view in the Ben Maltz Gallery through December 6, 2014.

  • JP Munro

    Oct 28| Lectures
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    Born 1975, Inglewood, CA. Lives and works in Los Angeles, CA.

    chinaartobjects.com/artists/jp-munro/

  • Minor Declaration

    Oct 29| Student Event
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    Highly Recommended for Sophomores

  • Rob Spillman

    Oct 29| Lectures
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    Rob Spillman is Editor and co-founder of Tin House, which has been honored in Best American Stories, Best American Essays, Best American Poetry, O’Henry Prize Stories, the Pushcart Prize Anthology and numerous other anthologies. He is also Executive Editor of Tin House Books and co-founder of the Tin House Literary Festival. His writing has appeared in BookForum, the Boston Review, Connoisseur, Details, GQ, Nerve, the New York Times Book Review, Rolling Stone, Salon, Spin, Sports Illustrated, Time, Vanity Fair, Vogue, and elsewhere.

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Short History of the Artists' Books Collection at Otis

Artists' books are exceptionally varied and creative by their very nature. The complex medium employs the book, in any of its various guises (scroll, codex, fold-out or single sheet boxed, to name but a few forms of books) as an original work of art. They usually integrate the formal means of conception and production with aesthetic or thematic aspects. Artists' books are considered unique works of art in one-of-a-kind or small edition multiples. Some now are mass produced. The variety of its form makes the artist book difficult to define. The twentieth century witnessed particularly varied and creative experimentation with artists' books culminating with an expansion of the medium in the '60 and '70s. California became a center of production.

The collection of artists' books at Otis College of Art and Design began and grew significantly during this period due largely to the efforts of librarian Joan Hugo, a recognized expert in artists' books. The Otis Library's current collection is approximately 2,300 works. Among the holdings are books by important contemporary artists such as Ed Ruscha and Joseph Beuys as well as work by recent graduates of MFA programs in the book arts such as Sarah Bryant and Daniel Mellis.

The collection also includes books made by Otis students in the Laboratory Press, which was begun by Sheila de Bretteville, Chair of the Communication Design and Illustration Department at Otis/Parsons from 1980-1990. Susan King, Simon Toparovsky, Cynthia Marsh, and Katherine Ng, all important book artists, were among the faculty over the years. This is a unique collection of books, often produced in editions of 2 or 3, with particularly good examples of innovative structures, excellent typography, and interesting content.

The goal of the Otis Artists' Book Collection is not to create a comprehensive archive, but rather to provide a valuable teaching resource available to artists and students. Since the collection is available on only a limited basis, providing access to the books via an online image database is a continuing project, one that we hope will assist those with interest in researching our collection as well as the medium in general.

 

History of Artists' Books

Sue Maberry, Director of Otis Library
Cathy Chambers, Catalog Librarian
Heather Cleary, Visual Resources Librarian