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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring John Houck, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Jesse Benson (b. 1978) is an artist based in Los Angeles. Benson's complex practice is driven by the perversion of roles and representation that characterize his generational moment. In obsessively "skillful" objects like the Bureau Paintings, Catalog Page Paintings, Future Sculptures, and Repaintings, Benson constantly questions the authenticity of the document, the function of style, and the value of both art and artist. Benson is equally committed to a curatorial/organizational practice that openly overlaps and inspires his object production.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by Nick SeierupPrincipal | Design Director of Perkins+Will, Los Angeles, on Thursday, December 3, 2015.


  • Marisa Silver is the author most recently of the New York Times bestselling novel Mary Coin. Her other books include the novels No Direction Home and The God of War (a finalist for a Los Angeles Times Book Prize), as well as two story collections, Babe in Paradise and Alone with You. Her work has appeared in The New Yorker and been included in many anthologies, including The Best American Short Stories and The O. Henry Prize Stories. Silver lives in Los Angeles.

  • Jesse Lerner is a filmmaker based in Los Angeles.  His short films Natives (1991, with Scott Sterling), T.S.H. (2004) and Magnavoz (2006) and the feature-length experimental documentaries Frontierland/Fronterilandia (1995, with Rubén Ortiz-Torres), Ruins (1999) The American Egypt (2001), Atomic Sublime (2010) and The Absent Stone (2013, with Sandra Rozental) have won numerous prizes at film festivals in the United States, Latin America and Japan.

  • Otis faculty member Dana Berman Duff will present a program of short 16mm and digital films in her "Catalogue" series.

  • Performing the Grid is an exhibition that brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, and mythical perspectives. Rosalind Kraus famously wrote that the grid “functions to declare the modernity of modern art” in her 1979 essay, Grids.



Library Reserve Info

Traditional Library Reserves

Otis Faculty place materials on Reserve in the Library for their students. Reserves are really an extension of the classroom. They include books, copies of chapters from books, and articles from journals and newspapers. In addition, Reserve materials sometimes include syllabi, lecture notes, and videos/DVDs.

Individual faculty members initiate the process of placing items on Reserve by bringing materials to the Circulation Desk and filling out a Reserve Form, available online or from the Circulation Desk in the Library. The Reserve item is then prepared for circulation and a record for it is created in the Library's catalog. Finally, the item is placed behind the Circulation Desk, where students can check it out for a period of time stipulated by the professor, ranging from Library Use Only (recommended) to overnight. For questions regarding reserves, please contact Shelley Forbes.


Electronic Reserves

In addition to Traditional Library Reserves, some materials may be available through the O-Space Learning Management System on a 24/7 basis. O-Space uses the same credentials as accessing your Otis webmail.


Note to Faculty

Faculty interested in using making available electronic versions of course materials should take into consideration the copyright issues. Use the Checklist for Fair Use before uploading materials into O-Space. Faculty are responsible for compliance with the Otis Copyright Policy. The Library reserves the right to remove any item it deems an infringement of copyright.