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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Portfolio Magazine

// change title to Alexy Brodovitch?

Alexey Brodovitch was the art director for several magazines, including Portfolio and Harper's Bazaar.

Portfolio Magazine

Location: Special Collections

This short lived magazine of the early 1950s is often considered the best work of Alexey Brodovitch, an art director who is said to have changed the nature of magazine design.

Issue #2 has an embossed cover, bound-in wallpaper sample, several fold-outs and the highest quality printing available in the early 1950s. Contents include: Articles on Charles Coiner, the Amazing Vari-Typer, and Advertising Art in 1900, and a feature article on Charles and Ray Eames. Cover art is a kite design by the Eames.

Issue #3 has articles on Hobo Signs (i.e., hobo graffiti) and stereoscopy with glasses included.

Harpers Bazaar

Location: Periodical Stacks

While art director at Harper's Bazaar from 1934-1958, Alexey Brodovitch was known for his asymmetrical layouts, white space and dynamic imagery. He worked with artists such as Man Ray, Richard Avedon, and Henri Cartier-Bresson.

The Library also owns a nearly complete run of Harper's Bazaar for this entire period.

Portfolio vol. 1 no. 2 cover

Portfolio vol. 1 no. 2: Embossed cover with
kite design by Charles and Ray Eames

Portfolio vol. 1 no. 3 cover

Portfolio vol. 1 no. 3: Cover

Four Harper's Bazaar covers

Four Harper's Bazaar covers

Portfolio magazine spread on Giambattista

Portfolio vol. 1 no. 1: Spread on Giambattista Bodoni

Portfolio magazine spread on stereoscopy

Portfolio vol.1 no. 3: Spread on stereoscopy with glasses included

Spread from Harper's Bazaar, April 1941

Spread from Harper's Bazaar, April 1941

Spread from Harper's Bazaar, June 1938

Spread from Harper's Bazaar, June 1938