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  • Silke Otto-Knapp is a painter and associate professor of painting and drawing at UCLA. 
     
    She has had recent one-person exhibitions at Overduin and Kite, Los Angeles; Galerie Buchholz, Berlin; the Berkeley Art Museum/Pacific Film Archive; Greengrassi, London; Sadler’s Wells Theatre, London; Kunstverein Munich, Germany; Gavin Brown’s Enterprise, New York; the Banff Centre, Canada; Modern Art Oxford, UK; and Tate Britain, London.
     
  • Sergej Jensen

    Mar 31| Lectures
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    Sergej Jensen’s work draws on a wide range of materials and formal references. Primarily known for his textile works, his lyrical compositions incorporate a variety of fabrics, from burlap and linen to silk and wool.
     
    He recently exhibited his work in the show "Classic" at Regen Projects, and his work is also included in LACMA's show "Variations: Conversations in and around Abstract Painting.”
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  • Otis College of Art and Design Fine Arts Department presents the film collaborative from Berlin OJOBOCA.

     

    Thursday April 2nd, 2015
    7pm in Ahmanson Hall, lower-level screening room.
    9045 Lincoln Blvd, Los Angeles, CA 90045

     

  • Chen Tamir is a distinguished Israeli curator and art writer based in Tel Aviv, where she works at the Center for Contemporary Art. She was listed by Artslant as one of 15 curators to watch in 2015. Until recently she was based in New York working as an independent curator and also as Executive Director of Flux Factory, a non-profit arts center in Queens, NY, where she founded an acclaimed residency program and set up a thriving institution. Chen holds an M.A. from Bard College's Center for Curatorial Studies, a B.A. in Anthropology, and a B.F.A. in Visual Art from York University.

  • Rea Tajiri

    Apr 07| Lectures
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    Rea Tajiri is a New York based filmmaker and educator who has written and directed an eclectic body of dramatic, experimental, and documentary films currently in commercial and educational distribution. She is also an Associate Professor at Temple University in the Film Media Arts Department.
     
    Learn more about the artist here.
     
  • Dusk to Dusk

    Apr 11| Exhibition
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    James Aldridge, The Gathering, 2010, Acrylic on canvas


    Dusk to Dusk: Unsettled, Unraveled, Unreal

    April 11 - July 26, 2015  |  Gallery Hours: Tue-Fri 10-5 / Thu 10-7 / Sat-Sun 12-4

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Kelmscott Chaucer

The Kelmscott Chaucer

Location: Z 232 M87 C52 1958

The original, printed in 1896 and limited to 425 copies, was designed to celebrate the art of bookmaking. Otis Library owns a facsimile edition published in 1958.

"The Kelmscott Chaucer was printed in two columns on handmade paper with specially designed large gothic type in red and black, with 87 woodcut illustrations and 116 full-page plates after designs by Sir Edward Burne-Jones, and numerous woodcut borders and initial letters designed for this work by William Morris. The opening double-page dazzles the eye with the sheer richness of its appearance. William Morris was particularly concerned that his books be conceived as a total unity so that the paper, ink, type and decorative motifs had a uniform and complementary style."
- University of Delaware Library

"As a leader of the Arts and Crafts Movement, William Morris rebelled against the harsh utilitarianism of the machine age. He sought a solution in the return to the methods and the materials of the fifteenth century, and to designs he hoped would convey the flavor of that age. In his effort to revive the art of hand-press printing and to elevate the humble beauty of the hand-made object, Morris produced one of the great books in the history of printing--the Kelmscott Chaucer. All aspects of this book's design and production refer back to the characteristics of the medieval manuscript. The Gothic typeface, the use of margins, the decorated initials and borders, and even the quality of the paper speak to an earlier sensibility. The densely patterned marginal motifs seen here in the Prologue to the Canterbury Tales, mimic the patterned wallpapers which Morris also popularized."
- Cornell Library Website

Kelmscott Chaucer - Title page and prologue

Two page spread with title page and first page of Prologue

Kelmscott Chaucer - Prologue illustration

Sir Edward Burne-Jones designed the eighty-seven pictures.

 

Kelmscott Chaucer - Title page

William Morris designed the full-page woodcut title, fourteen large borders, eighteen borders for the pictures.