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Events
  • LA/LA: Place and Practice is a two-day symposium organized by Scripps College, the Getty Foundation, the Getty Research Institute, and The San Diego Museum of Art in conjunction with Pacific Standard Time: LA/LA an initiative led by the Getty. Supported by a grant from the Getty Foundation, this two-day event will be held at The San Diego Museum of Art on Saturday, May 2, 2015 and at the Getty Center on Monday, May 4, 2015. RSVP here.

  • 33rd Annual Scholarship Benefit and Fashion Show

    Saturday, May 2, 2015
    6:30pm
    The Beverly Hilton
    Cocktails, Dinner, and Runway Fashion Show

  • LA/LA: Place and Practice is a two-day symposium organized by Scripps College, the Getty Foundation, the Getty Research Institute, and The San Diego Museum of Art in conjunction with Pacific Standard Time: LA/LA an initiative led by the Getty. Supported by a grant from the Getty Foundation, this two-day event will be held at The San Diego Museum of Art on Saturday, May 2, 2015 and at the Getty Center on Monday, May 4, 2015. RSVP here.

  • On the Roof

    May 05| Exhibition
    More

    Graduate Fine Arts Final Exhibition featuring work by

    Soo Yun Jun 
    Delia Perez Salinas Tijerina 
    Yasmin Than
    Sean Cully
    Rachel Indergaard 
    Kristy Baltezore 
    Angie Kim 

  • View work by the next generation of creative professionals in

    Architecture/Landscape/Interiors
    Communication Arts: Advertising Design, Graphic Design, Illustration
    Digital Media: Animation, Game & Entertainment Design, Motion Design
    Fashion Design: Costume Design
    Fine Arts: Painting, Photography, Sculpture/New Genres
    Product Design
    Toy Design

    Graduate Fine Arts

  • View work by the next generation of creative professionals in

    Architecture/Landscape/Interiors
    Communication Arts: Advertising Design, Graphic Design, Illustration
    Digital Media: Animation, Game & Entertainment Design, Motion Design
    Fashion Design: Costume Design
    Fine Arts: Painting, Photography, Sculpture/New Genres
    Product Design
    Toy Design

    Graduate Fine Arts

  • CLASS OF 2015 COMMENCEMENT!

    The 2015 Otis Commencement Exercises is scheduled for Sunday, May 10,  2015. The ceremony will be be held at 3:00pm locally at Westchester Park, due to limited space available on campus as a result of the Campus expansion project. More details on Commencment will be emailed to students during the Spring 2015 semester. Please save the date for commencment.

    For questions or comment related to ALL commencement related matters, please contact Mike Luna, Director of Student Activities at (310) 846-2595.

O-Tube

Kelmscott Chaucer

The Kelmscott Chaucer

Location: Z 232 M87 C52 1958

The original, printed in 1896 and limited to 425 copies, was designed to celebrate the art of bookmaking. Otis Library owns a facsimile edition published in 1958.

"The Kelmscott Chaucer was printed in two columns on handmade paper with specially designed large gothic type in red and black, with 87 woodcut illustrations and 116 full-page plates after designs by Sir Edward Burne-Jones, and numerous woodcut borders and initial letters designed for this work by William Morris. The opening double-page dazzles the eye with the sheer richness of its appearance. William Morris was particularly concerned that his books be conceived as a total unity so that the paper, ink, type and decorative motifs had a uniform and complementary style."
- University of Delaware Library

"As a leader of the Arts and Crafts Movement, William Morris rebelled against the harsh utilitarianism of the machine age. He sought a solution in the return to the methods and the materials of the fifteenth century, and to designs he hoped would convey the flavor of that age. In his effort to revive the art of hand-press printing and to elevate the humble beauty of the hand-made object, Morris produced one of the great books in the history of printing--the Kelmscott Chaucer. All aspects of this book's design and production refer back to the characteristics of the medieval manuscript. The Gothic typeface, the use of margins, the decorated initials and borders, and even the quality of the paper speak to an earlier sensibility. The densely patterned marginal motifs seen here in the Prologue to the Canterbury Tales, mimic the patterned wallpapers which Morris also popularized."
- Cornell Library Website

Kelmscott Chaucer - Title page and prologue

Two page spread with title page and first page of Prologue

Kelmscott Chaucer - Prologue illustration

Sir Edward Burne-Jones designed the eighty-seven pictures.

 

Kelmscott Chaucer - Title page

William Morris designed the full-page woodcut title, fourteen large borders, eighteen borders for the pictures.