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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Fair Use Checklist [PDF] - Prepared by the Millard Sheets Library

Information on Fair Use and Film [PDF] - The Society for Cinema and Media Studies’ Statement of Best Practices for Fair Use in Teaching for Film and Media Educators

 

Educational Use is defined as private study and research.

You May use unaltered text and images from most licensed or copyrighted library online resources for:

  • classroom activities and assignments
  • displays and performances within the college as long as they are free of charge
  • free presentations or performances at educational seminars, conferences, or workshops
  • student or faculty portfolios not intended for public display or for sale

But you must cite the materials. Consult the course style guides for rules governing quotations and citation format, etc.

You May Not not lift text or images from licensed or copyrighted library online resources for:

  • republishing in any format (including web sites)
  • redistribution beyond the college by any means
  • commercial or business-related purposes
  • fundraising, marketing, or public relations without the express permission of the copyright owner and/or licensing agency.

If you wish to include copyrighted materials for the above uses, you are responsible for securing permissions in advance.

Adaptations of Images...
If you use images from library online resources and then alter or modify them, or incorporate them into another work -- the adaptations are still subject to these guidelines.

Downloading...
You may not retain text or images downloaded from library online resources beyond the life of our contract with the provider, or beyond your affiliation with the school.

Otis Library Must...
To fulfill our contracts with resource providers, we will report willing and knowing violations of these guidelines to the publisher or copyright owner. We reserve the right to deny access to online resources and to revoke the library privileges of any user who intentionally violates our licensing agreements or U.S. copyright law.

What About "Free" Stuff Downloaded from Web?
It is a good idea to follow the same guidelines. Assume that what you find on the web is copyrighted unless otherwise stated.

 

Excellent Report: Copyright, Permission, and Fair Use among Visual Arts and the Academic and Museum Visual Arts Communities

 

Summary of Copyright Notice Required by HEOA