Events
  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
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    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

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English Composition

Course No Longer Offered


Step 1: Pick Your Terms

Your assignment will vary depending on your instructor, but you will probably be asked to research a subject and compare what you learn about it with its film treatment. The first step should be to get clear on the terms you want to search. This may not be an easy task. Ideas can be expressed in many ways. For instance the topic of "gender" could be researched using terms such as feminism, feminist theory, masculinity, gay, women, woman, men, sexuality, homosexuality, androgyny, etc. Depending on the database used and how it searches, you may have to do multiple searches trying various keywords.

To begin, brainstorm and create a list of possible terms you may use in researching. First, try a preliminary search in a database and look carefully at the results. From the first set of results, you can find other terms you may not have thought of. Add them to your list. Then modify your keywords and your strategy to clarify your topic.

A definition of a term could be a good way to start off a paper. The Oxford English Dictionary would be a good starting point for that.

Step 2: What Kind of Information Do You Want?

Identifying the type of information that you need will help in formulating a search strategy. Think about this and get as specific as you can. Here are some examples:

Information Needed: Try terms like these in various combinations: You could look for: Recommended Database:

A psychological interpretation of the horror film genre Horror, horror tales, cinema, movies, films, interpretation, history, criticism, analysis, morality, morality tale(s), psychoanalysis, psychological, gender, sexuality, feminism, feminist, masculinity, Gore Verbinski, Alfred Hitchcock, etc. Articles in psychological journals, scholarly film journals, or journals about popular culture or chapters in books For articles:
OmniFile
eLibrary

For Books:
Ebrary
Otis OPAC

Moral or religious tales implied within Westerns Western films, Westerns, heroes in motion pictures, allegory, myth, mythology, Clint Eastwood, morality, masculinity, cinema, movies, films, interpretation, history, criticism, etc. Articles in mythology journals, scholarly film journals, history journals or chapters in books For articles:
OmniFile
eLibrary

For Books:
Ebrary
Otis OPAC

Analysis of the portrayal of suburbia in popular culture suburban life, suburb(s), suburbia, urban sprawl, social life and customs, America, 1950s, postwar, popular culture, Los Angeles, history Articles in history journals, scholarly film journals, or journals about American studies or chapters in books For articles:
OmniFile
eLibrary

For Books:
Ebrary
Otis OPAC

Step 3: The Annotated Bibliography

You'll need to create an annotated bibliography or "works cited page" similar to the one you created for Introduction to Visual Culture. There's an excellent guide to Citing Sources online.

Many faculty at Otis require annotations in bibliographies. They're looking for brief descriptions that evaluate the quality and credibility of your sources. Include the following information:

  1. Description of the author's credentials
  2. Type of information the source represents
  3. How the source was located. (database, search engine, terms)
  4. Specifically how the source will be useful in writing your paper. Give examples.

Example of an annotation:

Arnault, Lynne S. "Cruelty, Horror, and the Will to Redemption." Hypatia 18:2 (Spring 2003) 155-88. Wilson OmniFile Full Text Select. Otis College Library. Los Angeles. 11 Sept. 2003.

How located: As a research tool, I used OmniFile through Wilson Web to find this citation. Author's credentials: I first clicked on her name to see if she had written other articles that appear in this database. But there weren't any others. So I looked her up on Google. There's a professor by this name, a Phd. in the Communications Department with a specialty in Feminist Theory at Leymoyne College in NY.

Type of information: This article would be considered "scholarly" because it's long, in-depth. It was somewhat difficult to read and seems to be directed towards educated readers. Also, there were many footnotes. Why what's written will be of benefit in your paper: From the abstract it says that "Americans cherish the idea that good eventually triumphs over evil" and that she argues that "a proper understanding of the moral harm of cruelty calls into question the credibility of popular American idioms of redemption." This seems to be directly related to the role of horror films in Americans culture.

Run Your Paper through Grammarly

Grammarly will assist you with grammar, but also help prevent plagiarism!
 

Remember

The librarians and the library staff are available. Ask for reference/research assistance at any time. It's our job. You're not bothering us.

The LAS department also has tutors available to assist you with the writing or word processing. Start early so that you will have time to avail yourself of these services. We all want to support your learning experience.

 

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