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Events
  • Angie Bray: Shhhh

    Jan 17| Exhibition
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    Angie Bray: Shhhh

    January 17 – March 22, 2015

    Opening Reception: January 24, 4-6pm

    Angie Bray: Shhhh is a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery at Otis College of Art and Design. The exhibition opens on Saturday, January 17, 2015.

    About the Exhibition

  • Opening Reception for Angie Bray: Shhhh a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery.

  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.3 by JAMES CORNER


    Wednesday    18 February 2015    7:30 PM
    Ahmanson Auditorium   limited, open seating starting at 7:00 PM  

    at THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

    250 SOUTH GRAND AVENUE  LOS ANGELES CA  90012

     

    This lecture is free and open to the public.

     

  • Bassoon Performance

    Feb 22| Special Event
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    Bassoonist John Steinmetz Performs and Converses with the Audience
    Playing live bassoon inside the exhibition Angie Bray: Shhhh, Steinmetz will react to Bray’s installations by playing some of his own music as well as new compositions, and will converse with the audience, who are encouraged to sit or roam through the gallery looking and listening.

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Closing reception for exhibition Angie Bray: Shhhh

O-Tube

Contemporary Perspectives

Researching Concepts

A successful Contemporary Project is dependent on finding good material to use, then organizing, and communicating that material to your classmates. You may need to do some additional research and reading about your class themes (e.g. Transnationalism, Gender, Body). This type of problem-based research and learning requires a lot more creativity and critical thinking than simply researching an artist by name.
Please look carefully at the example below to see how the research process can be used to help generate ideas and focus your topic. The following citations found in Art Index and OmniFile

Example: transnationalism AND (art OR design) (more on Boolean syntax)
Other terms or related topics which could be good alternative keywords for your project on transnationalism. Notice especially which terms are used in the subject fields.
Running List of Ideas
(interesting possible keywords and concepts to investigate further)


TITLE:
 
The Spirit of the Ancestors: The Photography and Installation Art of Albert Chong and Wura-Natasha Ogunji postcolonial

diaspora

environment

African influences

specific artists: Chong, Ogunji
SOURCE: Canadian Woman Studies v. 23 no. 2 (Winter 2004) p. 14-20
ABSTRACT: Part of a special issue on women and the black diaspora. The writer investigates the photography and installation art of the African diaspora. She argues that this visual art is embodied in a set of assumptions that stems primarily from the contexts of ritual and scared spaces, postcolonial urban struggles, and transnationalism.
SUBJECTS:

Abstract photograph
Environment (Art)
Black art - African influences
Chong, Albert, 1958-
Ogunji, Wura-Natasha



TITLE: Annu Palakunnathu Matthew's "Alien": Copy with a Difference

difference

feminism

race

artist: Matthew

Bollywood (or India)

counterhegemonic

diaspora

globalization

interventionist

activism

motion picture posters

ethnic identity 

postmodernism
SOURCE: Meridians v. 6 no. 1 (2005) p. 82-110
ABSTRACT: Part of a special issue on feminism, race, and transnationalism. The writer analyzes two photographic works by Annu Palakunnathu Matthew: Bollywood Satirized, 1998-2001, and An Indian from India, 2001. The two series are particularly interesting in the way they identify and communicate a counterhegemonic position on diaspora and transnational identities and coalitions: The former rereads Bollywood's popular culture, and the latter calls into question the archives and rationale of Western identity formation. The two agendas are linked in that they enable the feminist political exposure of globalization's transcultural depoliticizing agenda. They express Matthew's activist challenge because both these interventionist photographic collages politicize the postmodern.
SUBJECTS:

India in art
Feminism and photography
Motion picture posters in art
East Indian Americans - Ethnic identity
Matthew, Annu Palakunnathu



TITLE: Crossings: Transnational Echoes and the Proximity of Distance

international artists

crossings

authentic/unauthentic

multiplicity

place

essentialism

transculturalism

identity in art

exhibitions

SOURCE: Third Text no. 46 (Spring 1999) p. 97-100
ABSTRACT: A review of "Crossings," an exhibition at the National Gallery of Canada, Ottawa, from August 7 to November 1, 1998. The show consisted of installations by 15 international artists, most of whom work and live in places other than that of their birth. Rather than the modernist "linear" crossings from origin to destination, local to global, or authentic to unauthentic, the artistic and curatorial work rendered an ambivalent multiplicity of criss-crossings that radically de-essentialized ideas of place, home, origin, and identity. The show successfully unsettled the relationship between the national and international and resonated with echoes of transnationalism and transculturalism.
SUBJECTS: International exhibitions
Identity in art - Exhibitions
Installations (Art) - Exhibitions

Helpful Research Facts

You may want to review the guides and tutorials found through the Information Literacy link on every library webpage. A very good Art History Writing Guide is available from University of NC at Chapel Hill.

Using the Otis Online Databases

The Library subscribes to many full-text databases that will lead you to good sources that you can use for you project. For this project, the Librarian recommends: NEW Opposing Viewpoints, Art Source, EBSCO OmniFile, E-Library, and Proquest.

Locating Older Journal Articles

You won't always find everything online in full-text. You may need to find an article in a print version of a periodical. The Otis collection of back issues of journals and magazines is quite good. The Library has hundreds of bound volumes of back issues. Some are in the Stacks and some in Annex, which requires paging. Check the Otis holdings to see exactly what we have and where it's kept.

Assistance Is Readily Available

The librarians and the library staff are your friends. Ask for reference or computer troubleshooting any time. The SRC also has tutors available to assist you with the writing of papers. Start early so that you will have time to avail yourself of these services. We all want to support your learning experience.