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Events
  • Otis Radio: Hot News

    May 02| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

     

    This week from 5:00 - 6:00 pm is Hot News with DJs Cindy Ho, Ana Molina, and April Oh who cover all the trending NEWS!

     
    Listen online at KLMU.

    All shows will be simulcast on 96.1FM in the Otis Cafe and archived on otisradio.tumblr.com

  • Otis Radio: flashback

    May 02| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

    This week from 5:00pm - 6:00pm is flashback: nostalgic static with DJ's Alix, April and Dane. Come listen and chat about nostalgic representations that make us who we are, from music, accessories, to fashion mistakes.


    Listen online at KLMU.

  • Graduate Fine Arts presents

    Now What?

    Class of 2016 Final MFA Exhibition  

     

    Family and Friends Night Celebration: Saturday, May 14, 6-9pm

    Ashton Allen

    Amanda Benefiel

    Ok-Young Choi

    Janet E. Dandridge

    Melany Dierks

    Elif Erkan

    Kathryn Kert Green

    Elizabeth Medina

    Kristin Moore 

    Jeisung Oh

    Zachary Roach

    Regine Rode

     

  • Learn about the Teacher Credentialing process with:

  • Otis Radio Olympics

    May 03| Special Event
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    Otis Radio students Bree Miller, Natasha Carovska and Rania Ann Zahir present Otis Radio Olympics.

    Play Games and Win Prizes!

    Come join them outside to relieve your stress from finals by playing Musical Chairs, Red Light Green Light, Simon Says, and other beloved childhood games.

  • Graduate Public Practice 
    2016 MFA Degree Presentations

    Henderson Blumer
    Jeanette Degollado
    Margarethe Drexel
    Tonya Ingram
    Jenny Kane
    Shefali Mistry
    Beth Ann Morrison
    Catherine SCOTI Scott
     

    EXHIBITIONS AND EVENTS:

     
    Tuesday May 3, 7 – 9:00 p.m. 

    Shefali Mistry leads Michelada Think Tank event on artists of color

  • For decades, the Los Angeles–based artist Lita Albuquerque has blurred distinctions between Land art and Light and Space on increasingly grander scales, whether it be building installations surrounding the pyramids in Egypt or placing sculptures across Antarctica to mirror the formation of the stars. Her cosmic explorations continue with two new bodies of work that are currently being shown at Kohn Gallery in Hollywood, from January 9 through February 27, 2016, and at USC’s Fisher Museum of Art, from January 26 through April 10, 2016.

O-Tube

Contemporary Perspectives

Researching Concepts

A successful Contemporary Project is dependent on finding good material to use, then organizing, and communicating that material to your classmates. You may need to do some additional research and reading about your class themes (e.g. Transnationalism, Gender, Body). This type of problem-based research and learning requires a lot more creativity and critical thinking than simply researching an artist by name.
Please look carefully at the example below to see how the research process can be used to help generate ideas and focus your topic. The following citations found in Art Index and OmniFile

Example: transnationalism AND (art OR design) (more on Boolean syntax)
Other terms or related topics which could be good alternative keywords for your project on transnationalism. Notice especially which terms are used in the subject fields.
Running List of Ideas
(interesting possible keywords and concepts to investigate further)


TITLE:
 
The Spirit of the Ancestors: The Photography and Installation Art of Albert Chong and Wura-Natasha Ogunji postcolonial

diaspora

environment

African influences

specific artists: Chong, Ogunji
SOURCE: Canadian Woman Studies v. 23 no. 2 (Winter 2004) p. 14-20
ABSTRACT: Part of a special issue on women and the black diaspora. The writer investigates the photography and installation art of the African diaspora. She argues that this visual art is embodied in a set of assumptions that stems primarily from the contexts of ritual and scared spaces, postcolonial urban struggles, and transnationalism.
SUBJECTS:

Abstract photograph
Environment (Art)
Black art - African influences
Chong, Albert, 1958-
Ogunji, Wura-Natasha



TITLE: Annu Palakunnathu Matthew's "Alien": Copy with a Difference

difference

feminism

race

artist: Matthew

Bollywood (or India)

counterhegemonic

diaspora

globalization

interventionist

activism

motion picture posters

ethnic identity 

postmodernism
SOURCE: Meridians v. 6 no. 1 (2005) p. 82-110
ABSTRACT: Part of a special issue on feminism, race, and transnationalism. The writer analyzes two photographic works by Annu Palakunnathu Matthew: Bollywood Satirized, 1998-2001, and An Indian from India, 2001. The two series are particularly interesting in the way they identify and communicate a counterhegemonic position on diaspora and transnational identities and coalitions: The former rereads Bollywood's popular culture, and the latter calls into question the archives and rationale of Western identity formation. The two agendas are linked in that they enable the feminist political exposure of globalization's transcultural depoliticizing agenda. They express Matthew's activist challenge because both these interventionist photographic collages politicize the postmodern.
SUBJECTS:

India in art
Feminism and photography
Motion picture posters in art
East Indian Americans - Ethnic identity
Matthew, Annu Palakunnathu



TITLE: Crossings: Transnational Echoes and the Proximity of Distance

international artists

crossings

authentic/unauthentic

multiplicity

place

essentialism

transculturalism

identity in art

exhibitions

SOURCE: Third Text no. 46 (Spring 1999) p. 97-100
ABSTRACT: A review of "Crossings," an exhibition at the National Gallery of Canada, Ottawa, from August 7 to November 1, 1998. The show consisted of installations by 15 international artists, most of whom work and live in places other than that of their birth. Rather than the modernist "linear" crossings from origin to destination, local to global, or authentic to unauthentic, the artistic and curatorial work rendered an ambivalent multiplicity of criss-crossings that radically de-essentialized ideas of place, home, origin, and identity. The show successfully unsettled the relationship between the national and international and resonated with echoes of transnationalism and transculturalism.
SUBJECTS: International exhibitions
Identity in art - Exhibitions
Installations (Art) - Exhibitions

Helpful Research Facts

You may want to review the guides and tutorials found through the Information Literacy link on every library webpage. A very good Art History Writing Guide is available from University of NC at Chapel Hill.

Using the Otis Online Databases

The Library subscribes to many full-text databases that will lead you to good sources that you can use for you project. For this project, the Librarian recommends: NEW Opposing Viewpoints in Context, Art Source, EBSCO OmniFile, E-Library, and Proquest.

Locating Older Journal Articles

You won't always find everything online in full-text. You may need to find an article in a print version of a periodical. The Otis collection of back issues of journals and magazines is quite good. The Library has hundreds of bound volumes of back issues. Some are in the Stacks and some in Annex, which requires paging. Check the Otis holdings to see exactly what we have and where it's kept.

Assistance Is Readily Available

The librarians and the library staff are your friends. Ask for reference or computer troubleshooting any time. The SRC also has tutors available to assist you with the writing of papers. Start early so that you will have time to avail yourself of these services. We all want to support your learning experience.

 

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