Events
  • Guthrie Lonergan was born in 1984 in Los Angeles. He received a Bachelor of Arts from the University of California, Los Angeles in 2006.

  • TrES-2b
     
                September 27 – October 15, 2016
    Opening reception: Tuesday, September 27, 5 – 7 PM
     
     Artists to be exhibited:

  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
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    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

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Codex Tro-Cortesianus

Codex Tro-Cortesianus
Location: Special Collections F 1435 C653

"The Mayan peoples developed a method of hieroglyphic notation and recorded mythology, history, and rituals in inscriptions carved and painted on stelae (stone slabs or pillars); on lintels and stairways; and on other monumental remains. Records were also painted in hieroglyphs and preserved in books of folded sheets of paper made from the fibers of the maguey plant.

Four examples of these codices have been preserved: the Codex Dresdensis, now in Dresden; the Perez Codex, now in Paris; and the Codex Tro and the Codex Cortesianus, both now in Madrid. The Codex Tro and Codex Cortesianus comprise parts of a single original document and are commonly known under the joint name Codex Tro-Cortesianus.

These books were used as divinatory almanacs containing topics such as agriculture, weather, disease, hunting, and astronomy.

One of the four preserved codices of Maya hieroglyphs, the Codex Tro dates from about the 14th century. These ornate pages from the Codex form part of a prophetic calendar that predicts good and bad days. The ancient Maya used paints made of natural pigments and paper made from the fibers of maguey plants to record religious information and historical events." - Foundation for the Advancement of Mesoamerican Studies

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