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    SCREENING AND CONVERSATION with Margaret Prescod, Founder, Black Coalition Fighting Back Serial Murders and host of “Sojourner Truth” on Pacifica Radio’s KPFK.
    Nana Gyamfi, Lawyer-Black Lives Matter, Black Coalition Fighting Back Serial Murders.

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Oliver Payne, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Kimberli Meyer trained as an architect and an artist, and has been the director of the MAK Center for Art and Architecture at the Schindler House in West Hollywood since 2002. She has initiated and curated many programs there, including the exhibitions How Many Billboards?

  • Industry Spotlight

    Oct 15| Special Event

    An advertising creative director for more than 25 years, Otis alumnus Josh Weltman was the Mad Men co-producer responsible for Don Draper's credibility as an advertising genius.


    Join us for a behind-the-scenes look at the hit series, plus hear key insights from Weltman's new book Seducing Strangers: How to Get People to Buy What You're Selling.


    October 15, 6:30 - 9:30 pm

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Yutaka Makino. He lives and works in Berlin.  Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Susan Choi’s first novel, The Foreign Student, won the Asian-American Literary Award for fiction, and her second novel, American Woman, was a finalist for the 2004 Pulitzer Prize. Her most recent novel, A Person of Interest, was a finalist for the 2009 PEN/Faulkner Award. With David Remnick she co-edited the anthology Wonderful Town: New York Stories from The New Yorker. A recipient of fellowships from the NEA and the Guggenheim Foundation, and in 2010, the inaugural winner of the PEN/W.G. Sebald Award, Choi lives in Brooklyn.

  • Joe Sola (‘99)’s work has been exhibited internationally in galleries and museums including: The San Francisco Museum of Modern Art, Los Angeles County Museum of Art, The Hammer Museum, The Hirshorn Museum and Sculpture Garden, The Andy Warhol Museum  and Kunsthaus Gras, Austria, Museum of Modern Art Jean-Duc, Luxembourg. Museo Rufino Tamayo, Mexico City.  His performances have taken place at Los Angeles Contemporary Exhibitions, MOT International in London, 356 Mission Rd, Los Angeles.


Codex Tro-Cortesianus

Codex Tro-Cortesianus
Location: Special Collections F 1435 C653

"The Mayan peoples developed a method of hieroglyphic notation and recorded mythology, history, and rituals in inscriptions carved and painted on stelae (stone slabs or pillars); on lintels and stairways; and on other monumental remains. Records were also painted in hieroglyphs and preserved in books of folded sheets of paper made from the fibers of the maguey plant.

Four examples of these codices have been preserved: the Codex Dresdensis, now in Dresden; the Perez Codex, now in Paris; and the Codex Tro and the Codex Cortesianus, both now in Madrid. The Codex Tro and Codex Cortesianus comprise parts of a single original document and are commonly known under the joint name Codex Tro-Cortesianus.

These books were used as divinatory almanacs containing topics such as agriculture, weather, disease, hunting, and astronomy.

One of the four preserved codices of Maya hieroglyphs, the Codex Tro dates from about the 14th century. These ornate pages from the Codex form part of a prophetic calendar that predicts good and bad days. The ancient Maya used paints made of natural pigments and paper made from the fibers of maguey plants to record religious information and historical events." - Foundation for the Advancement of Mesoamerican Studies