• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Best of Flair

Location: Special Collections Oversize AC 2 F585 1996

Fifty years after it ceased publication, Flair is still one of the most talked-about magazines ever created. It is remembered for its innovative design and production quality, its superb coverage of the arts, and its discovery of many artists and writers well before they achieved fame and fortune.

Only 12 issues were published in the early 1950s. This book was published in 1999 to document this innovative magazine.

"One of Flair's distinctions is that each issue had a different die-cut hole and revealed a new surprise. March featured Spain, and revealed a "Guernica"-style tapestry. May's roses revealed a gorgeous portrait of a young woman. The July All Male Issue let us peek through binoculars at a woman on a beach. Even more daring, Flair's name was treated a new way each time, taking its cue from the issue's thematic content: sans serif type one month, hand-drawn the next, serif type the month after."
-Book Review by Tony Buchsbaum in Urban Desires, no. 3.1,  January 1997

Best of Flair book cover

Best of Flair book cover based on the February 1950 cover

Flair, June 1950 cover

Flair: June 1950, cover

Flair, May 1950 cover

Flair: May 1950, cover by Sylvia Braverman

Flair Annual 1953 dali spread

Flair Annual 1953: Salvador Dali's Mimicry in Nature

Otis College Ranked 6th in Nation by The Economist