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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring John Houck, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Jesse Benson (b. 1978) is an artist based in Los Angeles. Benson's complex practice is driven by the perversion of roles and representation that characterize his generational moment. In obsessively "skillful" objects like the Bureau Paintings, Catalog Page Paintings, Future Sculptures, and Repaintings, Benson constantly questions the authenticity of the document, the function of style, and the value of both art and artist. Benson is equally committed to a curatorial/organizational practice that openly overlaps and inspires his object production.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by Nick SeierupPrincipal | Design Director of Perkins+Will, Los Angeles, on Thursday, December 3, 2015.


  • Marisa Silver is the author most recently of the New York Times bestselling novel Mary Coin. Her other books include the novels No Direction Home and The God of War (a finalist for a Los Angeles Times Book Prize), as well as two story collections, Babe in Paradise and Alone with You. Her work has appeared in The New Yorker and been included in many anthologies, including The Best American Short Stories and The O. Henry Prize Stories. Silver lives in Los Angeles.

  • Jesse Lerner is a filmmaker based in Los Angeles.  His short films Natives (1991, with Scott Sterling), T.S.H. (2004) and Magnavoz (2006) and the feature-length experimental documentaries Frontierland/Fronterilandia (1995, with Rubén Ortiz-Torres), Ruins (1999) The American Egypt (2001), Atomic Sublime (2010) and The Absent Stone (2013, with Sandra Rozental) have won numerous prizes at film festivals in the United States, Latin America and Japan.

  • Otis faculty member Dana Berman Duff will present a program of short 16mm and digital films in her "Catalogue" series.

  • Performing the Grid is an exhibition that brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, and mythical perspectives. Rosalind Kraus famously wrote that the grid “functions to declare the modernity of modern art” in her 1979 essay, Grids.


Best of Flair

Location: Special Collections Oversize AC 2 F585 1996

Fifty years after it ceased publication, Flair is still one of the most talked-about magazines ever created. It is remembered for its innovative design and production quality, its superb coverage of the arts, and its discovery of many artists and writers well before they achieved fame and fortune.

Only 12 issues were published in the early 1950s. This book was published in 1999 to document this innovative magazine.

"One of Flair's distinctions is that each issue had a different die-cut hole and revealed a new surprise. March featured Spain, and revealed a "Guernica"-style tapestry. May's roses revealed a gorgeous portrait of a young woman. The July All Male Issue let us peek through binoculars at a woman on a beach. Even more daring, Flair's name was treated a new way each time, taking its cue from the issue's thematic content: sans serif type one month, hand-drawn the next, serif type the month after."
-Book Review by Tony Buchsbaum in Urban Desires, no. 3.1,  January 1997

Best of Flair book cover

Best of Flair book cover based on the February 1950 cover

Flair, June 1950 cover

Flair: June 1950, cover

Flair, May 1950 cover

Flair: May 1950, cover by Sylvia Braverman

Flair Annual 1953 dali spread

Flair Annual 1953: Salvador Dali's Mimicry in Nature