Events
  • You can easily spot The Little Friends of Printmaking in a crowd—their inky hands and clothes are a dead giveaway. Their work is just as distinctive. JW & Melissa Buchanan first made a name for themselves through their silkscreened concert posters, but soon branched out into further fields, designing fancy junk for whoever would pay them money. In addition to their work as illustrators and designers, they've continued their fine art pursuits through exhibitions, lectures, and artists’ residencies, spreading the gospel of silkscreen to anyone inclined to listen.

  • "In publishers’ terms, Shock and Awe – a hefty, intellectual book about glam rock – is timely." - Jude Rogers, The Guardian

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Join us on Thursday, March 2nd for an evening of conversation and exploration! Connect with fellow alumni, see friends, tour our new buildings, and meet President Ferguson at this Alumni Night reception. It will be a casual and fun evening and we hope you can join us. 

    The evening includes:

    A beer and wine reception 

    Introduction of the new Director of Alumni Relations Phil Scanlon

    Campus tour

    Visits to the Anna Craycroft exhibit at the Ben Maltz Gallery and Millard Sheets Library

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  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

  • Paul Lisicky

    Mar 08| Lectures
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    Paul Lisicky’s memoirs include The Narrow Door, a New York Times Editors' Choice, and Famous Builder. He is the author of a collection of short prose entitled Unbuilt Projects, and the novels The Burning House, and Lawnboy.

O-Tube

Kathryn Hagen: 2006-07 Faculty Development Grant Report


Report: Asia Trip

Thanks to a generous faculty grant, I had the opportunity to travel to Thailand and Vietnam in the fall of 2006. There were multiple purposes underlying the trip, but the two that related directly to my work in fashion were:

  1. The opportunity to study the relationship between ethnic and western clothing in a very different region of the world for a potential future book project relating to fashion and culture.
  2. To do research for the Fall Bob Mackie eveningwear project, the direction being "Asian Princesses."
Thailand

My research for both projects began on the Thai Airlines flight to Bangkok. The female flight attendants wore colorful silk ankle-length skirts and fitted tops, [Thai Chakri] with filigree combs in their shiny black hair. The male attendants conversely wore Western-style dark tailored jackets and silk ties with generic trousers. This was the first indication that the effects of western culture might differ in terms of gender, which proved consistently true in both countries. In the use of national costumes at hotels and other commercial venues, Thai and Vietnamese women are the cultural mannequins for the tourists.

I also had the good fortune on my flight to sit next to a young Thai woman returning to Bangkok. We chatted, and I was able to inquire about the function of traditional costume in her urban environment. She replied that older people still exhibited some native influence in their dress, but the younger generation’s wardrobe was almost completely westernized.

Surprisingly, this included even wedding ceremonies, [Ill. 1] as I had been to several Chinese weddings in the states featuring an appearance in traditional red costume by the bride. I asked if any of her clothing came from the West, and she told me that large manufacturing companies in Thailand produced western-style clothing and her wardrobe was almost completely of Thai origin.

Her observations proved accurate. I saw a number of older women in Bangkok whose dress reflected the Thai aesthetic. [Ill. 2, 3]

There was little or no Asian influence in the dress of either older or younger men, or in younger women and children. [Ill. 4-8] This continued in the smaller, northern city of Chang-Mai, though the strong presence of saffron-robed monks added an exotic element to the picture.
Bangkok is an enormous city filled with modern buildings and skyscrapers. Across the street from our hotel (a five-star Holiday Inn) were a Starbucks and also a McDonalds, with few items that we recognized from the American menu. Nevertheless, the city, like the resident’s clothing, seemed, at first impression, rather generic. Fortunately, we found an entrance to almost hidden canals used primarily by natives, which served as a conduit to what seemed a more authentic Bangkok “interlining”. A rather funky speedboat traversed the canals, leading to the French Quarter where most of the temples and older buildings are located. The busy waterways were lined with the crowded apartments of the working class Thai people, and the wooden balconies often served as closets for their colorful, albeit western-looking clothing, as well as a place to hang laundry. [Ill. 9] It was a strange juxtaposition of a visually exotic scene peopled with families dressed very much like us.

In visiting the vast and impressive temples of the old city, we saw many statues and paintings of ancient Tibetan people in costume. The filigree and “pointy” shoulder silhouettes seemed to relate directly to the architectural style that is ubiquitous in the temples and older buildings of the two cities we visited. I am unaware of any other people where the ancient cultural aesthetic was so consistent between architecture and dress. The western influence has effectively erased this relationship, and again there was, for me, a visual disconnect as a result.

In the book “Dress, Gender and Cultural Change”, author Annette Lynch talks about the use by the Hmong (an ethnic group with Chinese and Laotian origins, many of whom immigrated to America after the Vietnam war, passing primarily through Thai refugee camps) of ritual ethnic costume to maintain and differentiate their culture in a foreign environment. In a country overrun with tourists like Thailand, there seemed to be little impetus for cultural differentiation through dress. On the contrary, emulating their foreign visitors seemed more the trend. On the other hand, the Asian aesthetic has exerted a strong influence periodically on Western fashion, and I can reasonably speculate that there may be more Eastern influence in my closet than in that of younger Thai females.

In 2007, Miss Thailand, Fahroong Yutitham, the country’s entry for Miss Universe, caused a furor by wearing a Hmong costume, reflecting her own origins, instead of the classic Thai national dress. [See Page 4] Because I have yet to find a use of the Thai costume for anything but business/tourist purposes, except by the oldest residents, I find it somewhat surprising that it should have been such an emotional issue. My cynical side suspects that this emotionalism is somehow tied to either tourist economics or an ethnic class system.
Certainly other regional countries like Japan have seen sweeping changes in their dress due to Western influence, but, to their credit, the youth have embraced many of the more extreme trends, like Goth and Punk, and made them their own. Because they have developed such a personal and radical fashion scene, young Japanese are featured in a popular magazine called “Fruits” and have become global trendsetters.

Kathryn Hagen: Illustrations 1-8 (Thailand)

Illustrations 1-8 (Thailand)

Kathryn Hagen: Illustrations 9-14 (Thailand)

Illustrations 9-14 (Thailand)

Kathryn Hagen: Illustrations 14-21 (Vietnam)

Illustrations 14-21 (Vietnam)

Kathryn Hagen: Article on Thailand

Article on Thailand

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