Events
  • In conjunction with the current exhibition Patterns Bigger Than Any of Us: Jesse Fleming / Pat O'Neill in Ben Maltz Gallery, May 7 - August 12, 2017.

    In Conversation: Jesse Fleming and Pat O'Neill, moderated by LA-based idependent curator and historian Ciara Moloney

     

    Jesse Fleming (b. 1977) is part of an emerging group of artists and technologists that examine the convergence of media art and mindfulness. Recent solo exhibitions were held at Five Car Garage; 356 Mission; and Night Gallery, all in Los Angeles, CA; and the University of Texas in Austin, TX.

    Pat O’Neill’s (b. 1939) artistic and filmmaking career spans over 50 years, and he is highly-regarded for his experiments with film and optical printing. Recent solo exhibitions were held at Berkeley Art Museum and Pacific Film Archive in Berkeley, CA; Monitor in Rome, Italy; VeneKlasen/Werner in Berlin, Germany; Quinta do Quetzal in Vidigueira, Portugal; Mitchell-Innes & Nash in New York, NY; and Cherry and Martin in Los Angeles, CA.

    Ciara Moloney is an independent curator, editor, and writer based in Los Angeles. She was formerly Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson, Christian Boltanski and Kiki Kogelnik.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

  • Photo Credit: Jesse Pniak

     

    F. Douglas Brown received the 2013 Cave Canem Poetry Prize (selected by Tracy K. Smith) for Zero to Three, published by the University of Georgia. He also co-authored the chapbook Begotten with Geffrey Davis as part of Upper Rubber Boot Book's Floodgate Poetry Series. Both a past Cave Canem and Kundiman Fellow, his poems have appeared in the Academy of American Poets, The Virginia Quarterly, Bat City Review, The Chicago Quarterly Review, The Southern Humanities Review, The Sugar House Review, Cura Magazine, and Muzzle Magazine. He is co-founder and curator of un::fade::able - The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism. Brown currently teaches English at Loyola High School in Los Angeles.

  • Emily Raboteau’s nonfiction work Searching for Zion was named a best book of 2013 by the Huffington Post and the San Francisco Chronicle, and was a finalist for the Hurston Wright Legacy Award, grand prize winner of the New York Book Festival, and a winner of a 2014 American Book Award. She is the author of a novel, The Professor’s Daughter, and her fiction and essays have been published and anthologized in Best American Short Stories, the New York Times, The New Yorker, Tin House, Buzzfeed, LitHub, The Guardian, Guernica, Virginia Quarterly, The Believer, and Salon. Other honors include a Pushcart Prize, the Chicago Tribune’s Nelson Algren Award, and fellowships from the NEA, the Lannan Foundation, and the MacDowell Colony. Raboteau teaches creative writing at City College in New York.

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K-12 & Pre-College Policies

Refund Policy

Full refunds of tuition and fees are granted if:

  1. A course is canceled by the Continuing Education Division.
  2. Course day or time is changed and the individual student cannot attend.
  3. A course is filled before receipt of your registration form. Refunds are not given to students who notify the College of their withdrawal after the second class meeting.

After you have registered for a course, and you do not attend the first or second meeting, it is your responsibility to notify the Registration Office at ceregistration@otis.edu to request a partial refund.

If a student withdrawal or drop causes the course to be subsequently cancelled, the Withdrawal Refund Policy and not the Cancellation Refund Policy applies to that student. Registration and Accident Insurance Fees are non-refundable. Tuition refunds are granted for official drop and withdrawal procedures based on the following:

No Refund

Registration, accident insurance, and lab fees are not refundable in the case of withdrawal or drop. Parking fees are not refundable after the first class meeting. Refunds are not available to student who do not attend class and who do not officially drop or withdraw from their course. Refer to Drop and Withdrawal section, below. Absolutely no refunds after the start of the second class meeting.

Full Tuition Refund (Accident Insurance and Registration fees non-refundable)

100% refund of tuition, lab, parking, and certificate fees to students who notify the Registrar of their drop or withdrawal prior to the first class session. Accident insurance and registration fees are non-refundable

Partial Tuition Refund (fees non-refundable)

Partial refunds are given only to students who drop or withdraw before the start of the second class meeting and are pro-rated as follows:

  • Lab, accident insurance, parking and registration fees are non-refundable.
  • 10% of tuition is charged for each session to students who withdraw from a course that is scheduled to meet 11 or more sessions.
  • 15% of tuition is charged for each session to students who withdraw from a course that is scheduled to meet 6-10 sessions.
  • 30% of tuition is charged for each session to students who withdraw from a course that is scheduled to meet for 3-5 sessions.

No refunds are issued to students who withdraw after the first meeting of a course that is scheduled to meet one or two sessions. Please refer to the catalog course listing section for meeting times and number of class sessions.

Appeals

To appeal for a refund, which falls outside the policy outlined above, students must submit a written appeal to the Refund Committee. The appeal must outline specific reasons for the refund request.

Refund Processing

Once the information is received by the Office of Continuing Education Registration and Records, tuition refunds require a minimum of four weeks to process.

Drop Policy

Students must officially drop a class through the Office of Continuing Education Registration and Records. Students who for any reason find it impossible to complete the course in which they are enrolled should inform the Office of Registration and Records by email immediately. Students who drop a course before the start of the second class meeting are eligible for a partial tuition refund based on the refund policy.

Withdrawal Policy

Students taking courses at certificate credit level:
After the drop deadline, a student may officially withdraw from a class by contacting the Office of Continuing Education Registration and Records at ceregistration@otis.edu. A grade of "W" is assigned. The grade of "W" has no effect upon the grade point average. Failure to complete a course does not constitute official withdrawal, nor does notifying the instructor. Students who do not meet the withdrawal requirements receive a failing grade.

Otis College of Art and Design reserves the right, in its sole discretion, to deny any person’s registration or enrollment in, or admittance to, any Continuing Education or Pre-College course.

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