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  • Rodney McMillian (born in Columbia, South Carolina) is an artist based in Los Angeles.
  • Michael Joyce

    Sep 17| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Twentieth-Century Man by Michael Joyce. Starting with a disappearance, Twentieth-Century Man contemplates issues imbedded in aging, memory, language, family, and even life and death, covering and uncovering many profound mysteries.

  • Alice Konitz

    Sep 18| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Alice Konitz.

    Thursday, September 18th 11:115am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

    Image from alicekonitz.com

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

O-Tube

Joan Takayama-Ogawa: 2006 TLC Technology Grant Report


Report:

I received a Technology Grant to make enhanced podcasts for a paired class, Introduction to Visual Culture and English Developmental II. I worked in the TLC for 13 days 8 hours/day over the summer of 2006 and co-created a total of 11 enhanced podcasts, which are required listening for the English as a Second Language students enrolled in the paired class.

Enhanced podcasts allow for narration, visuals, music, and sound effects to be mixed in Apple’s program, GarageBand. The journey, in learning how to mix enhanced podcasts for ESL students enrolled in the paired Introduction to Visual Culture and English Developmental II class, was more important than the product produced. I learned skills that I can use in all of my classes.

  • How to create interesting power point slides.
  • How to use a Mac computer.
  • How to mix music, with narration and visuals.
  • How to organize computer files effectively.
  • How to delete computer files for better organization.
  • How computers can be networked to share information quickly and effectively in collaborative projects.

Speech writing and script writing skills were useful when writing the narration. Writing an essay is different than writing a script for an enhanced podcast. In particular, several suggestions come to mind:

  • HOOK: A motivating hook is necessary in the first sentence of the script.
  • RHETORICAL DEVICES: Use of rhetorical devices such as parallel structure, repetition, and contrapuntal turn around add dramatic effect to the script.
  • SENTENCE PATTERNS: Use short pithy sentences to make a point. Use long compound, complex sentences to develop an idea or set a relaxed mood.
  • PACE: A series of short sentences create a fast pace. A series of long sentences create lyrical, poetic verse.

Thinking of the voice as a musical instrument, starting in the diaphragm and ending outside of the mouth assists with enunciation and clarity in the recorded narration. A few suggestions:

  • UPTALK at the END of a SENTENCE: When reading aloud, we were taught to lower our voices to signal the end of a sentence. In broadcast journalism, the opposite is required. The speaker “up talks” at the end of the sentence, so the viewer can hear the end of the sentence. A good example is Tom Brokaw’s speech patterns as his deep baritone voice would be hard to understand if he lowered his voice at the end of a sentence.

--Joan Takayama-Ogawa
Liberal Arts and Sciences

Related: 2005-06 Faculty Development Grant