Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

Jeanne Willette: 2006 TLC Technology Grant Report


Report:

In the summer of 2006 Joan Takayama-Ogawa and I received a Fletcher Jones grant to devise new ways of supplementing education with new technology. The two of us developed a series of Enhanced Podcasts for our paired classes, Introduction to Visual Culture and English Development II. These Enhanced Podcasts were made for ESL students who need to improve their language skills in English, by listening to the Podcasts, taking notes on the information, and learning though repetition. We worked for 13 days for approximately 8 hours a day in The Teaching Learning Center with Kathleen Forrest, Coordinator of the TLC.

Otis College of Art and Design had just been accepted by Apple as an early adapter of this new technology, making Joan and myself among the first educators in the nation to create Enhanced Podcasts. What is "Enhanced Podcasting?" It is a union of an audio track with still images. “Enhanced” could also refer to the amount of time, effort, and, ultimately, satisfaction involved in the process. Enhanced Podcasting is less than a year old and enables the listener of a Podcast to also see relevant words and images, designed to reinforce the verbal script. Two different sets of Enhanced Podcasts were made. One set, connected to the Introduction to Visual Culture Course, supplements student knowledge of course materials. The second set, connected to the English Development II course, are information literacy Podcasts, used to aid in the process of researching and writing assigned papers. The Enhanced Podcasts also give the students an opportunity to review major concepts presented in the lectures and research techniques, complete with images and additional information.

--Jeanne Willette
Liberal Arts and Sciences

Further reading: "How to Podcast," As Told by a Novice [PDF]

Otis College Ranked 6th in Nation by The Economist