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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
     
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here.
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

  • Otis Graduate Writing students will read from their works-in-progress.

O-Tube

Guy Bennett: 2009-10 Faculty Development Grant Report


Report:

I received a Faculty Development Grant in 2010 in support of the creation of an audio-textual work for submission to the media poetry competition of the 2011 Biennale internationale des poètes en Val de Marne (BIPVAL), an international poetry festival based in Paris, France. Grant monies were used for research travel to and within Paris in summer 2010 as well as for a set of monitors used in composing and editing this work.

The piece, entitled Sound Memory, is an exploration of the relationship between sound, memory, and the imagination, in the context of short wave radio transmissions. I began writing the textual portion of it in spring 2010, completing it later that summer while researching at the Maison de la Radio and at the Institut national de l'audio visuel in Paris. The audio portion of the work was created that fall in Los Angeles. It consists of readings of the text and a sound collage combining recordings of shortwave radio, lost musics, and radio noise. The vocal part was recorded in the video lab at Otis, and the sound collage was created on my computer, which I also used to edit and mix the work.

Sound Memory was submitted to the BIPVAL media poetry competition in late-December 2010. As of this writing (April 25, 2011), I do not know whether my piece has been selected for public presentation at the Biennale, which will take place in late May.

I would like to thank the Faculty Development Committee for their consideration, and the college for its continued support of faculty projects.

Project description and sound file: http://www.guybennett.com/#798696/Sound-Memory/
Biennale internationale des poètes en Val de Marne: http://www.biennaledespoetes.fr/

--Guy Bennett
Liberal Arts and Sciences, Graduate Writing