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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

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  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • Rear Window

    Kristin Moore
    Thesis Exhibition
    Feb 16th-19th, 2016

    Reception:

    Thursday, Feb 18th, 6-9PM

    Bolsky Gallery
    Otis College of Art and Design
    9045 Lincoln Blvd. 
    Los Angeles, CA 90045 
    310.846.2614


    Gallery Hours: Tues-Fri 10am-5pm, Sat-Sun 12pm-4pm

     

O-Tube

Guy Bennett: 2009-10 Faculty Development Grant Report


Report:

I received a Faculty Development Grant in 2010 in support of the creation of an audio-textual work for submission to the media poetry competition of the 2011 Biennale internationale des poètes en Val de Marne (BIPVAL), an international poetry festival based in Paris, France. Grant monies were used for research travel to and within Paris in summer 2010 as well as for a set of monitors used in composing and editing this work.

The piece, entitled Sound Memory, is an exploration of the relationship between sound, memory, and the imagination, in the context of short wave radio transmissions. I began writing the textual portion of it in spring 2010, completing it later that summer while researching at the Maison de la Radio and at the Institut national de l'audio visuel in Paris. The audio portion of the work was created that fall in Los Angeles. It consists of readings of the text and a sound collage combining recordings of shortwave radio, lost musics, and radio noise. The vocal part was recorded in the video lab at Otis, and the sound collage was created on my computer, which I also used to edit and mix the work.

Sound Memory was submitted to the BIPVAL media poetry competition in late-December 2010. As of this writing (April 25, 2011), I do not know whether my piece has been selected for public presentation at the Biennale, which will take place in late May.

I would like to thank the Faculty Development Committee for their consideration, and the college for its continued support of faculty projects.

Project description and sound file: http://www.guybennett.com/#798696/Sound-Memory/
Biennale internationale des poètes en Val de Marne: http://www.biennaledespoetes.fr/

--Guy Bennett
Liberal Arts and Sciences, Graduate Writing

 

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