Events
  • "In publishers’ terms, Shock and Awe – a hefty, intellectual book about glam rock – is timely." - Jude Rogers, The Guardian

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Richard Shelton Director of Creative Action an Integrated Learning Program, Otis College of Art and Design. For the past twenty years, Rich has been active working with community organizations such as: Junior Blind, The Republic of Palau, Homeboy Industries, Urban Compass in Watts, The Getty, Los Angeles Poverty Department, the Minnesota State and Federal Correction Facilities; Film in the Cities (video in the schools, animation with non-verbal students, conducting video workshops on Cass Lake/Leech Lake Ban of Ojibwe Native American Reservation); Open Arms; and Upward Bound.

  • Join us on Thursday, March 2nd for an evening of conversation and exploration! Connect with fellow alumni, see friends, tour our new buildings, and meet President Ferguson at this Alumni Night reception. It will be a casual and fun evening and we hope you can join us. 

    The evening includes:

    A beer and wine reception 

    Introduction of the new Director of Alumni Relations Phil Scanlon

    Campus tour and Visits to the Anna Craycroft exhibit at the Ben Maltz Gallery and Millard Sheets Library

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  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

  • Paul Lisicky

    Mar 08| Lectures
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    Paul Lisicky’s memoirs include The Narrow Door, a New York Times Editors' Choice, and Famous Builder. He is the author of a collection of short prose entitled Unbuilt Projects, and the novels The Burning House, and Lawnboy.

O-Tube

Guy Bennett: 2006-07 Faculty Development Grant Report


Report:

I was awarded a faculty development grant in spring 2007 in order to work on the exhibit Beyond the Iconic: Contemporary Photographs of Paris, which I curated with Béatrice Mousli and which was presented in the Getty Gallery of the Los Angeles Public Library from March 1–June 1, 2008. (The show was reviewed in the Los Angeles Downtown News and the Los Angeles Times, among other publications.) The exhibit was one of an on-going series of projects focusing on franco-american literary exchanges and cross-cultural perceptions more generally speaking, the goal in this case being to re-examine the “iconic” status of the French capital, and consider to the degree to which its romanticized image actually reflects its current urban reality. The exhibit was the counterpart of “Los Angeles, un autre regard sur une ville autre,” a colloquium we had organized the preceding year at the Bibliothèque nationale de France in Paris on the issue of the representation and perception of Los Angeles.

Grant moneys were used to pay for travel to and inside Paris, for research materials in the form of books and reviews, and for meals when out working. Curatorial work was done in the photographic collections of the Musée Carnavalet, which graciously provided the photographs for the exhibit. Supplemental research was carried out in the library of the Maison européenne de la photographie, which contained books and catalogs featuring several of the photographers included in the exhibit. In some cases we were able to meet and speak with the photographers themselves, which proved to be invaluable in understanding their working methods and materials, which were referenced in the panel texts and annotations of the exhibit, and discussed at length in the accompanying catalog, Beyond the Iconic: Contemporary Photographs of Paris, 1970–2003 (Los Angeles: Angel City Press, 2008), which I also wrote, designed, and typeset.

I am grateful to have received a grant in order to pursue this project, and thank the Faculty Development Committee for their consideration, and the college itself for supporting faculty projects.

--Guy Bennett
Liberal Arts and Sciences, Graduate Writing

Beyond the Iconic

Beyond the Iconic cover

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