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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Guy Bennett: 2006-07 Faculty Development Grant Report


Report:

I was awarded a faculty development grant in spring 2007 in order to work on the exhibit Beyond the Iconic: Contemporary Photographs of Paris, which I curated with Béatrice Mousli and which was presented in the Getty Gallery of the Los Angeles Public Library from March 1–June 1, 2008. (The show was reviewed in the Los Angeles Downtown News and the Los Angeles Times, among other publications.) The exhibit was one of an on-going series of projects focusing on franco-american literary exchanges and cross-cultural perceptions more generally speaking, the goal in this case being to re-examine the “iconic” status of the French capital, and consider to the degree to which its romanticized image actually reflects its current urban reality. The exhibit was the counterpart of “Los Angeles, un autre regard sur une ville autre,” a colloquium we had organized the preceding year at the Bibliothèque nationale de France in Paris on the issue of the representation and perception of Los Angeles.

Grant moneys were used to pay for travel to and inside Paris, for research materials in the form of books and reviews, and for meals when out working. Curatorial work was done in the photographic collections of the Musée Carnavalet, which graciously provided the photographs for the exhibit. Supplemental research was carried out in the library of the Maison européenne de la photographie, which contained books and catalogs featuring several of the photographers included in the exhibit. In some cases we were able to meet and speak with the photographers themselves, which proved to be invaluable in understanding their working methods and materials, which were referenced in the panel texts and annotations of the exhibit, and discussed at length in the accompanying catalog, Beyond the Iconic: Contemporary Photographs of Paris, 1970–2003 (Los Angeles: Angel City Press, 2008), which I also wrote, designed, and typeset.

I am grateful to have received a grant in order to pursue this project, and thank the Faculty Development Committee for their consideration, and the college itself for supporting faculty projects.

--Guy Bennett
Liberal Arts and Sciences, Graduate Writing

Beyond the Iconic

Beyond the Iconic cover