Events
  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
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    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

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Academic Excellence: Rachel Kaminer

Something Unusual/idiosyncratic?
I lived in a wilderness setting for about two years facilitating experiential education and therapy. I can carve a bow-drill set and bust a coal.

 

Hometown?
I was born in San Luis Obispo [California] and grew up in the mountains around Asheville, N.C.
 

Why Otis?
I decided to pursue an MFA in L.A., and Paul Vangelisti conveyed to me that Graduate Writing is about reading and writing and making and translating, in what we might call the “Un-American Tradition.” I knew I wanted to be in the company of writers and artists who conducted themselves as colleagues, who brought diverse life experience to their practices. I remember reading the book list Jen Hofer posted online for one of her courses with such excitement. That’s when I knew I would apply. And the web page had such lovely design. I guessed that meant Otis was a good fit for students who pay attention both to form and content.


Your thesis project?
A book-length work of poetry—this means the poetry is talking to itself across the breadth of the whole work. The book is about listening. Or, put another way, it’s the joy and
responsibility that we have in language; that we make meaning; that it’s musical. Then again, it recently became apparent to me that I may complete an entire book of poetry with these philosophical ideas as an influence—and then it will turn out to be about heartbreak. The joke is on me for being the last one to get it.
 

Interesting things that you did outside of school?
I’ve done all sorts of interesting things through WriteGirl, a nonprofit based in my neighborhood. My favorite has been facilitating writing workshops for incarcerated young
women.


Most influential faculty member?
Impossible to say. I worked with and for Sarah Shun-lien Bynum and Dr. Carol Branch, and they are supremely influential role models, personally and professionally. I have to point out how influential my poet-colleagues have been, along with Jackie Young, the mastermind of two graduate departments and my supervisor, in shaping my time here.
 

Favorite place in L.A.?
Walking in my neighborhood is pretty great: the 6th Street Bridge, the channelized L.A. River, La Reyna taco stand at 7th and Mateo, and my neighbors at Factory Place, who have become hearth and home.
 

What’s next?
Writing, teaching, editing, choosing additional rent-paying professions. Publishing. Going to the desert when the Perseids fall.
 

Information/tips for future students?
The poetry alums have an ongoing conversation in poetry and in life, and that’s the best reason to attend. Choose your community of colleagues. And explore every neighborhood you can.

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