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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Academic Excellence: Rachel Kaminer

Something Unusual/idiosyncratic?
I lived in a wilderness setting for about two years facilitating experiential education and therapy. I can carve a bow-drill set and bust a coal.

 

Hometown?
I was born in San Luis Obispo [California] and grew up in the mountains around Asheville, N.C.
 

Why Otis?
I decided to pursue an MFA in L.A., and Paul Vangelisti conveyed to me that Graduate Writing is about reading and writing and making and translating, in what we might call the “Un-American Tradition.” I knew I wanted to be in the company of writers and artists who conducted themselves as colleagues, who brought diverse life experience to their practices. I remember reading the book list Jen Hofer posted online for one of her courses with such excitement. That’s when I knew I would apply. And the web page had such lovely design. I guessed that meant Otis was a good fit for students who pay attention both to form and content.


Your thesis project?
A book-length work of poetry—this means the poetry is talking to itself across the breadth of the whole work. The book is about listening. Or, put another way, it’s the joy and
responsibility that we have in language; that we make meaning; that it’s musical. Then again, it recently became apparent to me that I may complete an entire book of poetry with these philosophical ideas as an influence—and then it will turn out to be about heartbreak. The joke is on me for being the last one to get it.
 

Interesting things that you did outside of school?
I’ve done all sorts of interesting things through WriteGirl, a nonprofit based in my neighborhood. My favorite has been facilitating writing workshops for incarcerated young
women.


Most influential faculty member?
Impossible to say. I worked with and for Sarah Shun-lien Bynum and Dr. Carol Branch, and they are supremely influential role models, personally and professionally. I have to point out how influential my poet-colleagues have been, along with Jackie Young, the mastermind of two graduate departments and my supervisor, in shaping my time here.
 

Favorite place in L.A.?
Walking in my neighborhood is pretty great: the 6th Street Bridge, the channelized L.A. River, La Reyna taco stand at 7th and Mateo, and my neighbors at Factory Place, who have become hearth and home.
 

What’s next?
Writing, teaching, editing, choosing additional rent-paying professions. Publishing. Going to the desert when the Perseids fall.
 

Information/tips for future students?
The poetry alums have an ongoing conversation in poetry and in life, and that’s the best reason to attend. Choose your community of colleagues. And explore every neighborhood you can.