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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

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  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

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Academic Excellence: Rachel Kaminer

Something Unusual/idiosyncratic?
I lived in a wilderness setting for about two years facilitating experiential education and therapy. I can carve a bow-drill set and bust a coal.

 

Hometown?
I was born in San Luis Obispo [California] and grew up in the mountains around Asheville, N.C.
 

Why Otis?
I decided to pursue an MFA in L.A., and Paul Vangelisti conveyed to me that Graduate Writing is about reading and writing and making and translating, in what we might call the “Un-American Tradition.” I knew I wanted to be in the company of writers and artists who conducted themselves as colleagues, who brought diverse life experience to their practices. I remember reading the book list Jen Hofer posted online for one of her courses with such excitement. That’s when I knew I would apply. And the web page had such lovely design. I guessed that meant Otis was a good fit for students who pay attention both to form and content.


Your thesis project?
A book-length work of poetry—this means the poetry is talking to itself across the breadth of the whole work. The book is about listening. Or, put another way, it’s the joy and
responsibility that we have in language; that we make meaning; that it’s musical. Then again, it recently became apparent to me that I may complete an entire book of poetry with these philosophical ideas as an influence—and then it will turn out to be about heartbreak. The joke is on me for being the last one to get it.
 

Interesting things that you did outside of school?
I’ve done all sorts of interesting things through WriteGirl, a nonprofit based in my neighborhood. My favorite has been facilitating writing workshops for incarcerated young
women.


Most influential faculty member?
Impossible to say. I worked with and for Sarah Shun-lien Bynum and Dr. Carol Branch, and they are supremely influential role models, personally and professionally. I have to point out how influential my poet-colleagues have been, along with Jackie Young, the mastermind of two graduate departments and my supervisor, in shaping my time here.
 

Favorite place in L.A.?
Walking in my neighborhood is pretty great: the 6th Street Bridge, the channelized L.A. River, La Reyna taco stand at 7th and Mateo, and my neighbors at Factory Place, who have become hearth and home.
 

What’s next?
Writing, teaching, editing, choosing additional rent-paying professions. Publishing. Going to the desert when the Perseids fall.
 

Information/tips for future students?
The poetry alums have an ongoing conversation in poetry and in life, and that’s the best reason to attend. Choose your community of colleagues. And explore every neighborhood you can.

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