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Events
  • Angie Kim

    MFA Exhibition: SAME

    Reception Thursday, Feb 6th, 6-9 pm

  • Amy Adler

    Feb 03| Lectures
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    Amy Adler graduated from Cooper Union and received an MFA in Visual Art from UCLA and an MFA in Cinematic Arts from USC. She has had one person shows at the Museum of Contemporary Art Los Angeles, the Museum of Contemporary Art San Diego and The Aspen Art Museum as well as galleries worldwide. 
     
  • same / mfa THESIS EXHIBITION 



    Angie Kim

    Exhibition, February 2 - 8, 2015 

    Reception, February 5, 6:00 - 9:00pm
 

    
Map of Location

     
  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • Alex Israel

    Feb 10| Lectures
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    The work of Alex Israel is deeply entwined with his hometown of Los Angeles. The artist creates art that riffs on Hollywood culture and the cult of celebrity. His first major body of work consisted of rented studio props, transformed into readymades by their placement in the gallery—some blatantly obvious in their artificiality. He gave celebrities the same treatment in the video series “As It Lays”, video portraits based on campy TV talk shows.
  • Menno Cruijsen, Lava Design
    February 12, 12:30-1:30, Ahmanson 6th floor

    Lava was founded in 1990 by creative director Hans Wolbers (the Netherlands, 1965). The current team consists of 10 talented designers and three projectmanagers. The agency is focused on creative strategy, editorial design and dynamic identities.

    http://www.lava.nl

  • MAKING SENSE / Thesis Exhibition 



    Exhibition, February 16 - 21, 2015 

    Reception, February  19, 6:00 - 9:00pm
 

    
Map of Location

     

    

Website: www.rachelwolfe.com | Blog: howlya.tumblr.com

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Literary L.A. - Silver lake

May 12, 2014
Spotlight Category: Faculty

By Peter Gadol
Professor, Graduate Writing

 

And then it was autumn again, and Saturdays they would wake early when the first clean light came up over the oak and fir at the top of the ridge and eased its way down across their glass house and overgrown slope, down to the pitched yards and shingled cottages along the street below their street, down across timber and brush and fallen limbs, across the boulevard all the way to the patient lake, where it would linger on the water, and ancient and forgiving light by noon.

These were cold mornings suddenly and so they dressed quickly in fraying clothes. One made coffee, the other swiped jam across toast. They traded sections of the paper. One started in on the crossword, the other scanned the financial pages. Then they headed out to the garage and pulled on work gloves and selected rakes and clippers, and there was little conversation except to agree the movie they had watched the night before was not sitting well with them. A simple story snapped when stretched into an epic. Actually one man fell asleep before the film ended, and the other man had to wake him only to guide him to the bedroom and back to sleep again.

Rain all week had left the air crisp but also made the ground behind their house muddy and not entirely suitable for the chore at hand, yet each man took a flank of hill as if it were his side of the bed and began pulling out the dead sage and trimming back the excess tea bush and clearing out the persistent sumac. There was nothing to be done about the thicket of rosemary, they’d long since given up. There was enough of a drop-down to the backyard of the property below theirs so that even at the edge of their land, they enjoyed an unobstructed view of the Silver Lake Reservoir.

 

Excerpted from Silver Lake, a novel

 

Editor’s note:
Gadol was recently awarded an NEA Creative Writing Fellowship

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